Showing posts with label Dance Romanesque. Show all posts
Showing posts with label Dance Romanesque. Show all posts

11 July 2012

my humble opinion on 'Dance Romanesque' by Moon (2011) ~ my first...


though I mentioned 'Dance Romanesque' several times (oh, didn't I?), I have never written down all I feel about this wonderful 'show spectacle'. and I should!
the reason why I watched it again today is that I stumbled upon an article about 'Algiers' and 'Dance' and translated it. no, this is not the reason... after translating I decided to check the spelling of names on TakaWiki, and while doing this - I read that Aono-sama was absent during one of the scenes in 'Dance'. I have read it for many times, but 'tis only today that I realized that she was absent exactly when I went to see the performance. no, better to say, I happened to go there when she was absent, yes
of course I did not notice any change. I didn't even know that Aono-sama should have been there, eh? whatever
after realizing this fact I decided to check what scene exactly 'twas. and after checking - I could not stop. I felt really bad after 'Hakushaku' and I had to allow myself have some medicine to drive that poison out of my body. therefore I watched the whole revue, yes

the curtain rises. the introduction. Masao sings. musumeyaku-san dance. Kiriya-sama appears. I see the same setting, the same dresses, everything is all right. I don't feel anything strange... and then the music suddenly changes. the rhythm becomes stronger. Kiriya-sama runs downstage. I recognize the title theme song. otokoyaku-san run up to the stage
心に響け、熱い歌 - ring in the heart, the hot song
and me is already struggling with tears
my love. my first. my Romanesque, that stole my Takarazuka innocence
心に刻め、その祈り -  carve it onto your heart, that prayer
and those beautiful ladies dance with smiles on their faces, which almost physically warm me
未来の自分を失わないで - don't lose your future self
the tension rises
この一瞬を永久に変える - this instant is turned into eternity
and ladies regroup into a triangle lead by Kiriya-sama
Ah~ - needs no translation
and then...
DANCE!

this revue is, perhaps, created to be the closest to the mere mortals - I mean, siennes invaded the audience. literally. including the balconies. I can imagine what it feels like when Aono-sama gives you a 'low five' running across the hall
Kiriya-sama's solo number did not impress me much, but it had a very typical 'shabadaba' in the end, and of course - Kiriya-sama winking before she disappears is... *___*
the scene about the '(un)inhabited mansion' is not among my favourites. a bit boring, I might say, if not for the soft image of Masao which contrasts a lot with her Jacques
the loose reflection of 'Notre Dame' is also a very strange thing, but there are a lot of good points in it. splendid acting of Kiriya-sama in an unusual role, and of course - Ayahoshi-san's singing. one of the best songs I ever heard in Zuka revue parts. also, the following battle is accompanied with one of the most wonderful background instrumental works. I really, really, really pay respect to the composer, the orchestra and the guitarist(s?)
well, lifting Kiriya-sama to the ceiling with white wings (they were moving, BTW) is a bit too much... too experimental... well, though this seemed strange to me, I cannot be against it. more diversity is never to the worse
as the programme says, this scene uses several pieces from 'Mask 41' OST. they are 'Kyoko's Dilemma', 'Cerca De Ti' and 'Fight with Dream'
then, the K-POP scene. guys... where's the K-POP itself? I am no specialist, but I have been told much about K-POP bands and I watched a bit of PVs and concert performances due to several friends and acquaintances of mine being fans of K-POP boys-bands. so, this number is a bit week for me, by the same token the music and the vocals were not really impressing. the dancing is much better, though, combining typical Zuka movements with -POP ones
the next part is a standard Zuka dancing number which has nothing special about it, but allows the spectators to enjoy some points that Zuka is famous for. namely - hot Latin background music, Kiriya-sama's singing in the same manner, Aono-sama representing musumeyaku charm, and a splendid synchronicity of movements which matches the music so perfectly that you quite forget they are real people dancing on the stage. also, a good scene for Morie and Magee who were overly cute


the Mirio's cover of 'Puttin' on the Ritz' is funny. really funny, because of both the music and her Engrish
row cancan rockette dance is very cute. and I consider myself to be lucky to see it the very first time I watched a Revue
Top Combi dance would be really good... if not for the fact that I dislike the song 'Sunny' in the original and the instrumental version is not much better
the all-troupe number is indescribable... I have no words to express how much I love it. the white costumes, the golden background, the expressive music, and the general concept were absolutely perfect and memorable. it might seem stupid, IDK, but I love when there are a lot of people together. it creates an image of unity and warmness
and this particular jump - to be precise, two of them - is simply GORGEOUS
 the following Masao's song reveals how warm and soft her timbre can be. the dance accompanied by the instrumental version of the song, where musumeyaku-san move as if they were made of water, is also a splendid number. I have watched many revues - of Moon, of course - but I cannot recall anything like this
and then, Stairdance. actually, I have never heard any of Yuzu's songs, though I might have heard their name. still, I wasn't aware of the original song until November when suddenly I saw a trailer of Yuzu's concert on a huge screen on a building somewhere in Shibuya (or I don't remember where), and suddenly I recognized the song. my dear friend, Sae-san, told me - 'you see? 'tis Yuzu'
needless to say, Kiriya-sama's strong low voice is superb, so is the orchestra arrangement. the song is completely different. however, the original is nice, too
the next Top Combi dance is among my favourites. first, I came to realize that this blue suits Aono-sama greatly. second, their movements are perfect. third - I cannot recall what music there was in the original performance. 'twas replaced in the vid, so I am somehow frustrated that I could not memorize this beautiful number to the utmost. I should have. I really should. if not for my poor memory...
at least I should thank TakaWiki again. they wrote a hint that implies that the scene is called 'we're all alone' - am I wrong? well, the scene is not called like this, but the song used was obviously Boz Scaggs' one of this name. I don't know why the Japanese love it so much - it played a big part in Takeuchi Naoko's 'Rain Kiss' and meseems I have heard something about it later. also, this vid is from his concert in Japan. I listened to it then, when I read the manga, and didn't like it at all. can't get what's so special about him
 then, the parade
 
the gorgeous parade starting with beautiful voice of Hazaki Mana-san. her high notes were really impressing, but the following main theme overwhelmed me again...
the curtain falls. in the dancing figures of Moon Troupe members I see the characteristic image of Takarazuka and, strangely, I recall watching 'Sakura Taisen Katsudou Shashin', the full-length movie for the first time

it rings in my head. 'tis carved in my heart. the moment it ended turned into eternity and did not let me lose my future self
oh I should pay more attention to the theme songs lyrics, shouldn't I?

10 July 2012

translation. an article about 'The Man from Algiers' and 'Dance Romanesque'

after watching 'Hakushaku to Yousei' I was pretty sure I better keep a distance from everybody - I was afraid I might kill someone. as I am certainly spitting poison. my whole body is intoxicated with sugarish shoujo. 'tis a rare case for me, to feel THIS bad after shoujo. the last time was, perhaps, when I read Saitou Chiho's and Higuri Yuu's works
I needed something to occupy myself with, and at the same time - something soothing. and what can be better than translating another article about Moon Troupe in such a case?

Takarazuka Revue Moon Troupe Performance -  'The Man from Algiers' and 'Dance Romanesque' - first day interview
link
Musical Roman 'The Man from Algiers'
Author: Shibata Yukihiro. Director: Oono Takuji
This is a revival of a play that was first performed in n 1974 with Ootori Ran playing the main role, and performed again in 1983 starring Mine Saori.
It tells us about a young man with ambitions who wants to climb up the road of success so much that he even uses the girls who gave their hearts to him. Youth is only half sparkling, the reverse side of it brings a cruel shadow with it. This performance attracts us to the described man.
Three girls who make their way through a sad destiny. A splendid work that portrays the dramatic lives of young people, burning with hopes.
Show Spectacle 'Dance Romanesque'
Director: Nakamura Satoru
'Romanesque' has a meaning of something like 'with refined taste' and 'passionate'. 'Dance turns a single moment into eternity' - with this theme laid as a basis, the group dancing filled with youthfulness and liveliness, dances with stories, composed of dances of different styles, this show is overflown with passion and energetic movement.

Report
On September 16th, 2011, an opening day interview was held.
Kiriya Hiromu
I am grateful you all gathered here on such a hot day.
As for Moon Troupe, though we have been delivering happy ending stories for a long time, now we offer a very tragic story, but this play is overflown with Shibata Yukihiro's (author) roman, and the show will be refreshing and interesting, so the performance will be a characteristic Takarazuka double feature. We will do our best in delivering it to you until October 16th, so we would like to count on your support.
Aono Yuki
The play will be a tragedy, and the show will be enjoyable. With the present power of Moon Troupe we will put all our might into the performance, so we would like to count on your support.


The impression of members of Moon Troupe energetically dancing from the very beginning of 'The Man from Algiers' to the very end of 'Dance Romanesque' is very strong, but isn't there some scene that you particularly like?

Kiriya Hiromu
The opening of 'The Man from Algiers' is the first modern thing in a long time for Moon Troupe, so we were wearing suits and dresses that are easy to move in, and this is a thing I have done many times in my underclassman era, but this time I play a character who is a glittering with ambition carnivorous man (the words may sound a bit old... *laughs*), which is the first time in a while, and I particularly like the dance in the prologue of the play.

Aono Yuki
There is a very adult-like dance in the show I am honoured to dance, where I wear a white dress with spangles, and since this is the first duet dance with such a feeling, though it is a challenge, I will do my best to cope with it.

Kiriya Hiromu
And there are also different kinds of wigs.

Aono Yuki
I use four kinds of them.


What are the interesting points of the musical in your opinion?

Kiriya Hiromu
The show starts in a very energetic way, with high tension, and then a lot of scenes follow which have a story in them, but I hope the audience will have a feeling of satisfaction after a scene of Notre Dame de Paris, as if they had seen all the acts, and I will be glad if they feel the drama. Though in a show it is always necessary to deliver the dances and the songs with energy, this time we enter the fourth piece, and I hope we can deliver every single scene with its deep contents.

Aono Yuki
In the musical ms Kiriya plays a man overflown with ambitions and all, but there are 3 girls who are involved with him, so the interesting point is that he is such an attractive man...

Kiriya Hiromu
A concealed pressure? (laugs)

Aono Yuki
No, not like that (laughs), just the male roles are greatly portrayed. Also, there is a difference between the scenes in Algiers and in Paris, so I think the audience will be able to feel the image of those days.
_____
notes
  1. I have no idea what is meant by 4作目 which I translated as 'the fourth piece'. really, who 'we' and what is the fourth? I might be stupid but I am at a loss...
  2. I want a video of this. guess I have something to occupy myself with from now on... searching for interview videos... MB 'tis in some of the cafe breaks? or something...