Showing posts with label Ono Daisuke. Show all posts
Showing posts with label Ono Daisuke. Show all posts

05 July 2012

my humble opinion on 'Dantalian no Shoka'

well... this is Sparta Japan - the clothes design was done by BABY,THE STARS SHINE BRIGHT and ALICE and the PIRATES. what else do we get from Gainax this time? or so I wanted to ask until I realised one thing

plot and characters
this is the type of anime that offers not a life story, really, but a hint of it. I wonder if the original is different. however, if we speak of the anime, we see moving figures, but don't get to see their background. nothing is properly explained about the past, but even the present is moving so fast that we hardly manage to follow. in the end, the aftertaste is somewhat strange. I am really fascinated by the world created, by the characters, and I can see they have their own ideas, their own reasoning etc. - but I feel they are all far from me and I cannot get closer to them, however I struggle. one of the things thoroughly portrayed was, perhaps, Dalian's solitude. if not for her inner monologues about Huey coming to her world and her feelings, I would not be as interested in the story as I am. this is not the usual shoujo romance, but though being pretty simple, some scenes involving Huey and Dalian together with her another self were from time to time creating that particular disturbance in my chest that almost prevents from breathing - which is a sure sign that I am moved and the relationship is deep enough. the monologue of Dalian praying for Huey to come back was equally touching. but well, who of us, girls is not dreaming of a guy who would come to our rescue risking his life, keeping his promise not to leave us alone 'just because'?
and in the end, well, who of us, girls, never dreamed of the past? never read books about different epochs? never imagined herself as a beautiful Greek priestess, Medieval noble dame, Renaissance countess or duchess, or whatever? though the events take place after the World War I, the world of 'Dantalian no Shoka' obviously retain a great deal of the Victorian world. and the late Victorian world gradually evolving into the 20th century modern world, among others, is a special story. it combines some of the modern inventions which makes life less inconvenient than in the previous eras, and the old slow tempo, it adds a nice sweet savour to everything we see - it allows to wear nice feminine dresses, but already gives a hint on women emancipation, it makes men gentlemen, but allows more freedom in relationship, it pictures wonderful mansions with beautiful gardens around them, retro cars and telephones, large libraries with sophisticated furniture, etc., but does not deprive us of the primary conveniences. of course we like 'yankiis' from 'bousouzoku', and we like school soap operas, we like mecha and slice of life, but from time to time we, girls, need to come back to those dear dreams of our young days where everything was so ideal and promising. viewing this half-Victorian decoration as such, 'Dantalian no Shoka' is a great success
perhaps the only spoling element was the strange author's understanding of justice. all the 'bad guys' were punished, mostly by their own mistakes and foolishness, and the main characters could not help anyone or save them. still this leaves an uneasy feeling in me. however, I cannot be sure in anything because of the perfunctory nature of everything
the same mystery, on the other hand, can be viewed as a perfect promotion of the manga and ranobe. 'I cannot see you well, I cannot hear you well, guys!' I cry. 'you need more? you want to know them?' the authors ask then, with a grin on their faces. 'if so, you are welcome into the world of ranobe and manga!' - you know, this is not good. an anime based on some source can be far from it or follow it to the letter, but it should not be a mere shell which only shows the upper part of the iceberg. this is at least what I think  

graphics
since when has Gainax become THIS great in terms of the visual aspect of their works? if there are any shortcomings in the plot, then they are more then compensated for. the beautiful scenery, the buildings which are created by using the real photos and turned into painted pictures, the small details thoroughly drawn, the perfectly symmetric faces and other parts of body, and bright vivid colours coupled with the nice design - as I said, with the help of two very, VERY outstanding brands, for those who understand - this side of anime is unexceptionable. if not for the amount of blood and violence, I could recommend this for children as a pretty fairytale
a separate thanx goes to the those who thoughts of creating episode #9
when I see such kind of graphics with a simple but warm colours, with pencil lines and everything looking so really handmade, I am relieved about the future of anime
however, there were some moments when instead of moving video we had to see static pictures. I wonder if 'twas the original idea or a real problem of the artists of the studio

seiyuus
the sole reason for me to download this anime was a handsome blond bishounen (well he is not precisely shounen, but still) voiced by Ono Daisuke, and I became quite determined to watch it when I knew that a cool loli would be voiced by Sawashiro Miyuki. it was particularly funny for me to recognize her signature intonations that have been so peculiar to Puchiko (again - for those who understand)
however, the others did a good job, too. most were very realistic and natural in their roles, so that I wasn't able to notice anything strange, but I was really shocked by the voice of Flamberge whose seiyuu was Kohimizu Ami-san. I did watch CGLR properly, and I don't remember Karen's voice being that interesting. well, if Koshimizu-san is capable of such tricks, then I should pay my respect to her

music
this is the next aspect which redeems for the poor plot. I have been positively fascinated by the OP theme which was created to resemble a Latin (Latin? well, I judge by the name of the creator mentioned in the opening titles) poem or something, laid on a beautiful music by the composer Tsuji You. he is also responsible for the OSTs which are beautiful example of an acoustic accompaniment which contributed to the general mood greatly. orchestra pieces, deep and overwhelming as the sea-waves, light orgel melodies, some instruments solo and many other nice tracks are waiting for me inside the OST albums. the only thing that bothered me was the fact that a lot of variations on this piece were used as instrumental backgrounds. at first I was afraid the composer was not able to create anything else, but then finally another good melodies popped up
Yucca, the singer, was also a veeeery suitable variant. this a rare thing for me - not to skip the opening of every episode. I usually do so in order to avoid getting tired of the song and be able to listen to its full version later separately. however, this time I was not able to skip it. I wanted to listen to it more and more, especially when such a nice row of visual images is present to make your eyes delighted with what they see
the only thing I cannot forgive among the insert themes is the violin in the 10th episode. am I alone in thinking that the Japanese are usually not very good at playing violin? they have perfect technique, but somehow I often feel that their violins are not singing. I feel as if they applied too much strength when playing and lacked the lightness I am used to. moreover, they even have problems with vibration. I have been always told that vibrating every single note is important, however short the note might be. the same I heard in the numerous concerts and studio recordings. still, the 'Twilight' sonata in the anime is an example of poor vibration. the same is noticeable in Kajiura's works where violin is supposed to have a really important part but usually fails to impress me, and some other composers. at the same time, piano etc. never bothered me. am I mistaken? well, at least in the episode about Christabel I could not enjoy violin parts. surprisingly, violin in the theme of Dalian other self world, the Labyrinth Library, was much better! why???
the greatest disappointment, however, was ED theme by maRIONnetTe. while I do acknowledge that the anime had a bit of gothic mood to it, the song and the video which was a real video with real forest, real people, etc. was TOO gothic. it was absolutely not suitable and absolutely boring. as for me, I was not happy with it at all, though the song itself and the vocal were pretty good

conclusion
the only great shortcoming of this anime is its length. it should have been longer at least twice, and reveal more secrets, and be more detailed. my God, why did I watch it now? I don't know how I will survive until August when the OAV is to be released. moreover, I could not find full English translation. meseems, I have to read raws. well, this must start somewhen and with some manga, eh?

p. s. why Dalian? her name could be spelled like Dahlian or in many other ways. does it have some sort of trick?

25 June 2012

My humble opinion on 'Kaze no Stigma' - both anime and manga

Plot and characters
Let me make one thing clear. 'Kaze no Stigma' is shoujo. Even though the manga is sometimes labeled as shounen or seinen, 'tis still shoujo. There is some fanservice for the male audience, of course, but not without shoujo fanservice also
There are different kinds of shoujo in terms of characters and plot developments. If we cast aside those with fragile heroines who spend the greater part of the anime of manga crying and worrying for other characters who do all the serious work (like Miaka), among those who are left most main heroines belong to the type of Ayano. They possess an explosive character and tend to be easily provoked by caustic remarks uttered by other characters. Moreover, those remarks, reprimands and scolding are for a reason unknown supposed to be the best romance that can bloom in a shoujo. Apparently the directors and screenplay/manga writers honestly believe that the only way to make their works popular among the female audience is to create a bit brutal but sexy - no, brutal in a sexy way - guy who is never at a loss with words, who would leave the heroine on her own every time she faces an obstacle offering her to overcome it herself, or even oppose her and drive her almost to death, so that she would grow as a warrior/priestess/game player/personality/whatever. Moreover, the heroine who gets to know eventually that she was either left alone, or tricked and used on purpose, and thus endangered, only punches her beloved and shouts 'bakaaaaa!' - this is the limit of her annoyance and revenge. Of course, she has no chance to stand against him, to say nothing of winning - she is inferior, and will always be. This kind of 'sassy teacher - eager pupil' relationship is thought to be the essence of shoujo, the real advantage that would capture the hearts of young spectators or readers. Sorry for not being not one of them
On the other hand, I cannot deny there are a lot of other elements necessary for popularity. The dream of the female audience is granted in the fourth episode out of 24 - 'tis not a real kiss, but who cares? The lips joined are enough for young girls to scream with joy - and forget that the characters are supposed to be cousins. After the main event has already happened, what's left is only to increase the level of ero - so we have licking the cheek, kissing the neck and the edges of hair.
Don't forget about guys! Pantsu shots in abundance, low angles and windy weather, big breasts in the middle of the screen that are sure to jump noticeably in spite of the fact that we are in the middle of a very important battle. I could close my eyes to such things if only they were done with an understanding of how funny they look. Unfortunately, they are for real...
Dark past of the main character, casualties during the 'war', revenge, mysterious enemy, everything is on its place. Did I really watch this anime never ever before?
Even watching 'Rurouni Kenshin' where every character who was about to attack never failed to name his technique, and scenes of daily life were filled with SD and 'oro?' did not make me feel THAT awkward.
The manga 'kaze no stigma - kannou no miko' tries to be closer to the original ranobe, obviously. Kazuma is in a constant frenzy, blood is taking more space on the page, the plot and the relationships which existed in the anime are absent. Well, not absolutely absent - some phrases and scenes are completely alike but in the end manga scenes fail to create the same impression. Some events are simply 'omitted' - no one wants to have an absolute copy of the animated version, eh? It would not sell.

Graphics
Is it 2007, really? I would not give it more than 2004...
Manga is much better. Obviously the mangaka knows his trade. Cute expressions, scary expressions, girls figures exposed for admiring, and lots of lines on the page which make it almost impossible to understand what is going on... Congrats.

Seiyuus
Good staff. Most of seiyyus I am familiar with, but both them and those whom I did not know were pretty good. However, there was not much of an opportunity for them to show everything they can. This is not their fault, eh? Oohara Sayaka-san, Makino Yui-san, Watanabe Akeno-san, Itou Shizuka-san, Inokuchi Yuka-san, Takahashi Chiaki-san did a great job.

Music
The traditions of anime soundtracking were preserved. The background reminded me of good OSTs of 90s, and the OPEDs were on a high level. Lyrics by Ishikawa-sama, music by Arai-sama and nice vocal - there are all the elements for a good theme song. This applies to 'hitorikiri no sora', but the OP 'blast of wind' was good, too. The second ED was not a very impressive song, but at least the three seiyuus are good at singing - not shouting something with kawaii voice which is a frequent thing in the latest animes.

Conclusion
What date is it today? Oh! I better hurry to check whether the next chapter of 'kaichou wa maid-sama' is translated! Why? Though these two have a bit in common, 'kaichou' is thousand times better than 'kaze no stigma' because the stupid setting is not used there. Ayano and Misaki are really alike - active, extroverted girls, protective when it comes to their friends and simply those who are weaker, both are unwilling to admit their feelings. They even share the same seiyuu. However Misaki is stronger. And Usui is stronger, too, in comparison with Kazuma. Much stronger - he is able to support Misaki despite her misunderstanding - support really, directly, and be together with her no matter what, but he is able to admit his weaknesses as well, and yield to her, and is ready to trust her, and count on Misaki, while Kazuma only seem to cherish Ayano as his 'possession'. Dear shoujo makers - look carefully at Usui, THIS is the guy that girls want. Am I wrong? Well, at least I want to see characters like Usui more.
In the last episode Ayano says - 'What am I to you? A burden? I don't want to be the princess who waits until the battle ends and kisses her hero, I want you to rely on me, too!' - however she ended up being exactly what she described, forever chasing and unable to reach Kazuma, despite how much she helped in the last strike to erase the mighty enemy. Quite opposite, Misaki did not look much of a help to Usui, and the sole reason of his love to her is 'you would not smile so easily, and that cute face expression of yours' - but then why, I ask you, why do they seem to be much more equal partners who DO share the same feeling?

21 June 2012

my humble opinion on... many things

thing #1
new Berserk
I was a small kid when I watched the TV series of 'Berserk'. and I loved it. yep, the me, who was some 15 (?) years old loved it very much
I should admit, the greatest object of my fascination was Griffit, who was obviously a bad guy - yep, he was... or... was he? no, for me, who was 15 (or not?) years old, Griffit WAS a bad guy. still I felt a great deal of interest and... pity? towards him
the other object of my fascination was Kaska. strong and proud women have always been one my favourite types of heroines
were I ignoring everything else? no way. I loved everything else as well. I loved that work for the very fact that it portrayed everything so that it stabbed me in the very heart, even things I disliked - violence, human weaknesses, dramatic stories
there was only one thing I ignored - the music by Susumu the Great Hirasawa - those times I could not allow myself downloading everything I wanted, and I only listened to several tracks. it turns out, I listened to the main ones that every fan knows - 'Gatts', 'Behelit' and 'Forces' and some others
now I read another studio made a new version of this masterpiece. I know already how much biased I am when it comes to remakes of 90s classic works. BUT. I was not wrong in my prediction. most people who watched it noted that it has less charm than the original TV, less credibility in terms of coherence with the manga, and everything that was changed - graphics, plot developments, seiyuus - did not add any good points to the new 'Berserk'
new approaches to classic artworks are always good. I should not shut my eyes to them! or so I thought
well. there ARE things that should rest in piece. I mean, things that should not be touched and remade - ever, by anyone. 'Rurouni Kenshin' is an example. 'Berserk' became another one

thing #2
Nisemonogatari
one day, when I become a REALLY fluent Japanese language speaker, I WILL sit down to read the whole bunch of '-gatari' ranobe. I will! I know it!
unfortunately, now I cannot. my Japanese is too poor to read them without looking up 90% of words in the dictionary. and when you have to do that, only a VERY interesting work can make you cling to it without dropping
'-gatari' novels are probably not THAT interesting. '-gatari' animes, though, are interesting enough for me to celebrate the fact that 'nisemonogatari' had already been aired in Japan and two more novels are currently in the process of creation
now that I recall watching 'Bakemonogatari', am I such a fan of the series? nope, I am not. I am just happy for the fact that stylish, cool and unique animes are not extinct. though we have no more 'classic' masterpieces like those of my beloved 90s, we can have something like '-gatari' to enjoy. hope the seiyuus, graphics and music are the same in the coming series. hope the coming ones will be the same interesting and strange - enough to keep me watching, even though I had no favourite character to wait for, and could not feel any sympathy towards anyone

thing #3
Sore de mo Sekai ga Mawatte Iru, Hanasaku Iroha and... Haruhi Suzumiya no Yuutsu
though my best source of info about anime is world-art.ru I like myanimelist for providing info which is absent in the Russian service. for example, recommendations
actually, 'recommendations' as phenomenon disappointed me greatly. things like 'similar artists' on Last.fm or JPopSuki hit the bull's eye once in a while, but their general helpfulness is doubtful, to put it mildly. generally, I have either to check out whether the recommendation is really based on something, or to search for additional info to make my request more precise
unlike those websites I mentioned, myanimelist does not give random recommendations - it allows users to write their own, and the most important part of them are the explanations of the recommendations given. those explanations allow to find specific info and understand WHY exactly the person thinks the two animes compared to be alike
this particular feature allowed me to find a few animes which are similar to 'Working!!'. oh, I should say 'Working!!' - while being far from an ideal - impressed me very much, so much that I cannot oust it from my head, and so I embarked on a search for a slice-of-life with a love-story that would remind me of Satou-Yachiyo, main characters of different types like Poplar, Kyouko and Aoi who would create constant turbulence, and beautiful everyday life in Japan
however, I only faced recommendations that emphasized the sides of 'Working!!' I did not pay much attention to - 'comedy', 'hilarious', 'strange people', etc. well, yes, I do like these things, but the setting decided everything, in the end. Mashimaro, or DRRR, or Azumanga will NEVER be in the same line with 'Working!!' - they have another style, another manner and probably - another aim?
some of the recommendations, however, were really relevant. out of them I picked up 'sore de mo sekai ga mawatte iru' which describes a cafe again, and also provides a good company of main characters, and 'Hanasaku Iroha' which impressed me already much with the graphics and interesting plot description
however, these two missed another important point. the only recommendation which highlighted my favourite couple - Satou-Yachiyo - was the one offering... 'Haruhi'. and I was like o___O
I mean, from everything I heard about this piece, there is NO WAY Satou-Yachiyo could resemble the main couple of 'Haruhi'. moreover, knowing how popular 'tis I already felt a kind of despise towards this, perhaps, good anime, so I firmly decided NOT to watch it EVER - so many unpopular things wait for me, huh?
still, if the person who recommended it saw some similar points... there might be... and I will never know if I don't check myself
mama mia... will I end up watching one of the most popular animes ever? noooo 嫌だ!!! T_T

p. s. - somebody, please find me an anime with a couple reminding of Satou-Yachiyo. I would do anything for you.... >____<

18 June 2012

my humble opinion on 'Working!!'

plot and characters
looking at the list of the anime Yoshimasa-san took part in (I mean the director of 'Working!!') I see good things are not apart from each other. like father like son, so as to say
he trained well as scenario writer in 'Aria', became an episode director there as well, and directed great things like Solty Rei, Kaleido Star OVAs and Sketchbook Full Color's (though I personally watched none of these, I just know they are good. they ought to be!)
direction of 'Working!!' is also very good and it can be quite a good example of a modern comedy. I still recognize funny elements so peculiar to 'elderly' ones like DGC, but they are not overemphasized, and the general story does not yield to fanservice - even when girls jump, or the 'camera' shows them from the floor, we see no PANTSU, so the comedy is not spoiled by anything like this
a bad point there is - unlike what I could expect from the anime description, the characters are not THAT diverse. the manager, Kyoko, who was named an apathetic person IS apathetic, but not unnoticeable, and 'tis she who turns out to be the most 'violent' in terms of using her vitality with full understanding of what she does. vice versa, Yachiyo who wears a katana and Inami who punches every boy are not very apt to using their strength when 'tis necessary - better to say, the plot evolves so that they have no need to. so, Yachiyo never really protects anyone with her katana, and even more - she is the one protected. and while I waited for Inami to be a boy-hater, she is quite opposite. not that they are worse because of this, but I am slightly disappointed
 a good point - Poplar, Takanashi and Souma only proved what they promised to be judging by the description. another good point - Satou proved to be even better. and another good point - I recognized Aoi's seiyuu!
 
seiyuus
well, at first I though I was mistaken because there ARE seiyuus whose voices sound alike and the type of heroine Yamada is could simply make me feel the same as Alice Caroll did in 'Aria'. BUT my feeling was right - their seiyuu IS one person, Hirohashi Ryou. I feel kind of happy
others' seiyuus were completely right in their place. no one seemed to be odd, no one made any visible mistakes. well, except for the fact that people like Souma, no - like most of them - sound as if I have heard them one trillion times. not that this is bad, I already accept the fact that there are only a few REALLY recognizable seiyuus. I mean, I could never mistake the voice of Ogata-sama, or Suzukaze-sama... well, ok, this is a bad example, such 'otokoyaku seiyuu' are just the only ones in the world... ok. BUT. I haven't forgotten all of the main 'Rurouni Kenshin' seiyuus, or 'Sakura Taisen', or the voices of DUP or PKO from DGC, or that of BSSM's Peach Hips, etc. - nope, we have no more seiyuus like that. give up
the only thing which distressed me greatly is that Ono Daisuke-san who is such a perfect 'dark type', so suitable for introverted logic guys, is actually famous not only for his characters like Satou, but also a hentai seiyuu. T____T
oh, well, then there is another disappointing thing...

music
while a good anime is still possible to find, good music seems to be extinct. the more recent works I watch, the more sad I become. none of the seiyuus are good in singing (REALLY good, I mean. singing good for karaoke does not count), and none of the OPED composers can create something really unique and memorable. same goes for characters' theme songs. boring
well, in this case we have at least nice OSTs, though none of them went to my Walkman playlist

conclusion
some say there might be a third season. I would be glad if so. and I agree there are still many things to resolve. and the potential is great, the plot, the characters, the comedy and the serious part are not exhausted, and are not exhausting yet. I would be really, really glad to watch the third season. even with all its bad points, this is still one of the best animes we can have in the new decade of the 21st century