Showing posts with label Rurouni Kenshin. Show all posts
Showing posts with label Rurouni Kenshin. Show all posts

27 July 2016

IMHO. 'Rurouni Kenshin' ~ one of a kind

When I raised my eyes to the grey sky covered on the sides by lavish green that appears in late May, I realised it’s been exactly 10 years.
_____
So, the first time was exactly 10 years ago. And this series was one of the greatest discoveries in the world of anime, even with all those mistranslations and censorship implied by the American distributor whose release was bought by our channel. You’d understand me when I say that the seeing ‘Kenshin’ for the first time was a revolutionary thing, if you know what it’s like to have only a dozen of major TV channels and 250 Mb per month as the only source of information about the new world called ‘anime’.
The story was so great that after trying to ignore the broadcast for a month, because I thought I better not watch it at all than watch partially because of my busy schedule at school, I ultimately couldn’t help watching, even though I’d missed some of the initial episodes. And I preferred to hear the episodes I missed retold to me by my friend than giving up on ‘Kenshin’ at all.
Before starting to watch it for the third time, I thought I’d skip the unnecessary fillers or watch boring episodes fast forward. But there weren’t any boring episodes. Not for a single moment I felt like skipping anything. The thought didn’t even cross my mind.
What you discover 10 years after seeing this series for the first time, is that it’s no less interesting no matter how many times you watch. Moreover, you understand and appreciate it even more.
Is there any need to analyze the story deeply? I don’t think so. It is the case when every character deserves so much respect and every story is so elaborate that words won’t express it.
I loved them, the characters and their stories. I loved the background music and theme songs. I loved the seiyuus, all of them, everyone. The other day I read an article where the author was suggesting that we, fans who feel nostalgic about the older anime, stop regretting about good old times and go watch new series trying to find new masterpieces among them. I’ll explain. This nostalgia is caused by the very fact that you didn’t have to search for a masterpiece those days, it just came to your hands naturally. And I’ll add. The only aspect that surpasses older series in the newer anime series is art, and even that is not a given. Yes, older series were simpler and maybe less attractive visually. However the rest was perfect, while modern series can only offer one aspect in high quality, while the others inevitably fall behind.
Rephrasing Kenshin, I’d put it like this: maybe anime is supposed to be serious, educating, mature and realistic, but I still prefer this kind of anime, where characters shout out names of their techniques, where enemies are defeated with willpower, where characters may help circus artists or sumo wrestlers and the next month go and save the country mastering new techniques on their way… At least, they’re all alive, not moving cardboard figures.
I don't really remember, but Wiki says that the first broadcast of 'Kenshin' - the one I saw for the first time also - ended on July 27th. So today, 10 years after I end my 'rewatching', too, and say goodbye.

18 July 2016

Lyrics translation. 'kokoro no hadaka' by Ueda Yuuji

Original

風が吹き拔ける街でお前は
失くした何かを捜すけれど
ディアヤモンドよりも大事なものは
心の裸だけさ

単純な問題で惱むなんて No!
困難は全部乗り越えりゃいい
指をくわえて待ってちゃダメ
設計図だけじゃ家は建たねえ
動かなけりゃはじまらねえじゃん
あれもこれもしたいって思うことさ
気分次第 こんな時代
スッキリしたいなら Naked Heart

ため息ついてどこを見てる
真夜中の空を見上げるけど
濁った目には月も星も
わずかな明日さえ映らない
ひ弱な惱みに用はない
今が無駄になるさ
しょうもない感情に甘えてないで
目を覚ませ

鏡に映った寝起きの顔が
ホントの自分さ ありのままに
胸に飾るのは勲章じゃなくて
心の裸だけさ
風が吹き抜ける街でお前は
失くした何かを捜すけれど
ディアヤモンドよりも大事なものは
心の裸だけさ

優しさと弱さは別問だぜ
考えりゃすぐにわかることさ
レ一ルはみ出したっていいじゃん
電車じゃねえんだから
結果見えてるなんてドキドキしねえ
最後知ってる映画はつまらねえ
気分次第 こんな時代
スッキリしたいなら Naked Heart

簡単なことさ 雨の日に
濡れたくなければ傘をさせよ
叶わない夢を嘆くより
叶えない自分を嘆きなよ
格好つけたってしょうがない
どんな服を着ても
不自然な冗談さ はしゃいでないで
目を覚ませ

キレイな明日を欲しくなるほど
今日に絶望はしちゃいないさ
キレイごとよりもザラついている
言葉を信じている
鏡に映った寝起きの顔が
ホントの自分さ ありのままに
胸に飾るのは勲章じゃなくて
心の裸だけさ

風が吹き抜ける街でお前は
失くした何かを捜すけれど
ディアヤモンドよりも大事なものは
心の裸だけさ

Translation

In a town where wind blows through
I search for something lost, but
There is only one thing more important than diamonds –
It’s a naked heart

Worrying about trivial things? No!
I just have to overcome all obstacles
It's not OK to envy others who do something while you don't
A house is not built only with a plan
If you don’t make a move, nothing will start
If you want to do this and that
It’s up to your whim, in this time
If you want to feel refreshed – naked heart

Where am I staring at with a sigh?
I raise my eyes to the night sky but
My clouded eyes reflect neither moon nor stars
Nor even a glimpse of tomorrow
I don’t have time to waste on troubles caused by weakness
My present is too precious
Don’t pity yourself with your useless sentiments
Open your eyes

Your sleepy face in the mirror
Is your true face, the way you are
What is worthy of putting on your chest is not a medal
It’s a naked heart
In a town where wind blows through
I search for something lost, but
There is only one thing more important than diamonds –
It’s a naked heart

Tenderness and weakness are not the same
You will understand if you think a bit
It’s ok if the rail juts out,
Since I'm not a train, right
When I know the result I’m not excited
When I know the end of a movie, it’s boring
It’s up to your whim, in this time
If you want to feel refreshed – naked heart

It’s simple, if it’s raining
And you don’t want to get wet, open an umbrella
Rather than grieving that your dream wouldn’t come true,
Grieve that you weren’t able to make it come true
Nothing will change if you just show off,
You can wear whatever you wish
It’s an artificial joke, stop frolicking
Open your eyes

I’m not disappointed in today so much
That I would wish for a beautiful tomorrow to come quickly
Rather than whitewashing I believe in
Words that strike in the eye
Your sleepy face in the mirror
Is your true face, the way you are
What is worthy of putting on your chest is not a medal
It’s a naked heart

02 June 2016

Lyrics translation. 'suki to ka ja nakute' by Fujitani Miki

Original

太陽が眩しくて
瞬きしてただけなのにばかね
ウインクされたようで
ドキドキが消えない この胸から

「元気かよ」と背中めがけ
君の声が聞こえた時思わず

「見ればわかるじゃないのよ」なんてね
こんな時に言っちゃうのよ どうして
チャンス今日も見逃してゆく 夢の中でもないのに
別に好きとかじゃなくて あなたのことが
なぜか気になって仕方ないのよ

ラブレターくれた人は
君じゃないってこと知っているわ
残酷なほど クール に
「付き合えないわよ」と断ったの

「かわいそうじゃん、付き合いなよ」
君の声が聞こえた時 思ず

涙あふれてきたのよ 不思議ね
強いはずの私だと思って
君がおろおろして見ていた 影がのびてく歩道で
別に好きとかじゃなくて あなたのことが
なぜか気になって仕方ないのよ

涙あふれてきたのよ 不思議ね
強いはずの私だと思って
君がおろおろして見ていた 影がのびてく歩道で
別に好きとかじゃなくて あなたのことが
なぜか気になって仕方ないのよ

Translation

Since the sun was so bright
You just blinked, I know
But for a moment I felt like it was a wink
And my heartbeat won’t calm down

You call me from behind – ‘how are you?’
And when I hear your voice, unintentionally

‘As you can see, I’m okay’
Why do I say it in a moment like this?
I lose my chance today again, though I’m not inside a dream
It’s not that I love you, but
For some reason I can’t stop thinking about you

The person who sent me a love letter –
I know it’s not you, I do
So coolly that it’s almost cruel
‘I can’t date you’, I refused

‘I feel sorry for him, why don’t you give him a chance?’
When I heard your words, suddenly

Tears flowed down my face, I wonder why
You probably believed I was strong
So you became became worried, in a sidewalk where shadows grow taller
It’s not that I love you, but
For some reason I can’t stop thinking about you

Tears flowed down my face, I wonder why
You probably thought I was strong
And became worried, in a sidewalk where shadows grow taller
It’s not that I love you, but
For some reason I can’t stop thinking about you
_____
The reason why I love this song must be obvious - Kaoru is one of my favourite heroines among all anime heroines I've seen. However, I've heard many songs of good heroines that weren't anything special. In this case, the song itself is very attractive too. The lyrics create a very precise description of a situation, and I love how, though it is usual for Japanese songs, allegories make us imagine the story as seen by the author, for example in 'where shadows grow'.

04 May 2016

IMHO. Snow Troupe’s 'Rurouni Kenshin'

In the break between the 1st and the 2nd act, standing in the lobby and looking through the programme, I saw two western faces on the other side of the hall. I must say, though Takarazuka gains more and more popularity in other countries, it was not common for me to see a foreigner (at least an obvious one) in the theatre actually. I was wondering whether they were fans of RuroKen or of Takarazuka, or of both. But the first question that came to my head was – how did they get the tickets???

Story and characters
I still don’t know about those two, but me and my friend are fans of both Zuka and RuroKen. Going to see the performance was an extremely important thing for us, all our trip was specially planned for that, and we started planning as soon as we heard about the decision of Hankyu to stage RuroKen last year. What I did not expect was that so many Japanese turned out to be fans like us, too. I mean, more than 30 performances in total, with approximately two thousand seats in the Tokyo Takarazuka Theatre, and almost all of them sold out in 1 hour. Why do 60,000 people have nothing else to do in April? It’s a start of a new year, why don’t you all concentrate on your studies or work? I’m just joking, of course. Or am I?
If you’re not new to it, you shouldn’t expect that Takarazuka ever makes a play entirely for fans of a particular franchise. And I didn’t… At least I thought I didn’t. And still I couldn’t get rid of the feeling that they stuffed 2 hours of the play with all kinds of events for the sake of viewers oblivious to the original work, including Kenshin’s fight during the revolution, his past with Tomoe, meeting Kaoru, Yahiko, Sano, Saito, Megumi, Aoshi, Takeda and Kano, conflicts with local yakuza, contacts with police, opium production, first Gatling, European-style ball, saving Kaoru and of course, many fights in the course of it. I read the director’s explanation that the story would be something happening between the first events of the manga, but instead they just briefly explained almost the whole first arc with the only difference of Kurogasa, Kenshin's enemy and former Shinsengumi member, who was replaced with Kano and connected with Kanryu. Rather than a filler, I’d call it an alternative – and brief – introduction.
To my surprise, I discovered that for me, apparently, the scenario may be of less importance if the rest is good. And the rest was just superb. The 23rd row is only second to the farthest in the audience, but even from there I could feel how much perseverance and love was put into the characters’ personification.

Acting
When my Japanese friend, a frequent Takarazuka visitor, told me she loves Snow more than any other troupe because of the 'climate' and coherence in the collective, I couldn’t quite understand what she meant. I guess I had to see it myself to understand. It’s when everybody is in his place, and when everybody has his time to shine on stage. And I couldn’t imagine better actors to portray the characters I love so much. I was ready to see some actresses suitable and others differing from what I’d like to see, but there were no one to count as the latter. I know it’s not fair to compare Takarazuka to people cosplaying anime characters, or actors of a live action movie, but I’ve never seen anybody so similar to the original characters. I read that Watsuki approved Satoh as Kenshin for the movie. I’m not sure what he said about the actresses from Takarazuka, but he gave his consent, and I hope it was not bought but negotiated.
But well, there is one thing you have to keep in mind – it’s a stage performance, and it’s Takarazuka with its traditions. They couldn’t make a smaller Yahiko or an older Saito who would be not as hot and young as they did. Or less loveable Takeda with his money and Gatling. Or less funny Megumi, since a female role for an otokoyaku actress - even if a former one - is always like that. Or miss the chance to make Sano introduce himself as if in a kabuki play.
Speaking of Yahiko, this is the thing that will never stop surprising me in a bad way when it comes to subordination and hierarchy in Japan. So, you choose young Ms. Irodori to play Yahiko. And you don’t give her any place on the poster. I know there were enough people on it even without her and her rank within the troupe, judging by the place of her photo in the programme, is not very high, but it really made me worry they'd erase the whole character from the story. And I must say she was an incredibly good Yahiko. Just as all others were incredibly good as their respective characters.

Costumes and setting
I thought I'd write something like 'this aspect deserves a separate paragraph from me', but I'm not sure if I can make a whole paragraph out of my inarticulate proclamations of delight. Just imagine that even the 10-minute scene in the brothel Kano visited in the beginning had a row of girls wearing gorgeous clothes, imagine that when Aoshi runs, his cloak waves just as it looks in manga or anime which always looks slightly surreal, that Sano was actually carrying his big zanbato, that there were Kaoru's dojo, Akabeko, a dark forest, Kano's house built in a western manner, an opium production room, and all of them had their own interiors or exteriors.

Music
As far as I remember, the music was very good in 'Rurouni Kenshin'… though it's hard to me to say anything bad about the play that amazed me so much. The lyrics in some songs were maybe just a bit less poetic than I'd want them to be – more like normal speech, for example 'this is our first technique of Kamiya Kasshin ryu' or 'I haven’t forgotten Tomoe but now I want to protect Kaoru'. I mean, literally. And some of those songs weren't meant to be entertaining, but serious and dramatic.
It was probably a silly thing to hope they'd use any of the anime songs or background themes, though I think they could manage it if they wanted. Nevertheless, I headed for Quatre Reves fully determined to buy a live CD, but I think it was not issued then.

Conclusion
At first I thought it would be hard for me to rewatch the Takarazuka version of RuroKen in case I lay my hands on it, because 'Kenshin' is not a story to kill time with or watch for entertainment, at least for me. However, after some time, I realised that the Takarazuka version is not too deep and tragic, and its lightness makes it possible to enjoy the play again. Now I want to watch again so that maybe this time I'd have the chance to have a closer look at the characters' faces, costumes and other things on stage... Because you know, I didn't know where to look at when in the theatre. I have only one pair of eyes, and they made too many gorgeous things appear on stage simultaneously for me to follow.

29 February 2016

instruction. how to buy tickets for Takarazuka performance using the new system for foreign customers ~ FYI, it's not a real instruction

Short introduction: today I managed to buy tickets for 'Rurouni Kenshin'. It took me more than one hour, half of all my nerves and several litres of tears, changing our plans and changing our plane booking as well as two hotels, but I managed. There was also the option of trying to stand in a queue on a cool April morning in order to buy same-day tickets, but I guess I wanted more certainty and a seat down my bottom.
So, the truth is, I've never seen such an agiotage. Even when I was buying tickets for the final performance of ms. Kiriya, then a top star of Moon - I was not aiming for the closing night, but still. My friend managed to buy tickets for 'Man from Algiers' a couple of days before the actual performance we went to see, and to a performance in Saitama during one of the national tours, which are referred to on takawiki as one of the fast-selling ones. I managed to buy good tickets for 'Puck', which is a revival of a musical staged 20 years ago, so I supposed it would be relatively popular, too. Now I see I didn't know what 'popular' means.
So, Takarazuka has now an official homepage with tickets available for foreign customers. As it requires that you pick up the tickets no later than 15 minutes before the performance starts, all you need is to come in time, day in day, not even a few hours in advance, but just so that you have time to get your tickets and enter the hall.
What I learned today and what I have to share is:
  • Tickets on CNPlayguide were sold in 1 minute exactly. Since I'm a registered member there, it was the fastest way for me, so I refreshed the page at 10-00 Japanese time, right when the tickets went to sale, and there were all triangles - it means, there were only up to 10 or up to 50 tickets left for respective shows. I clicked the necessary link and while the page was loading the tickets were gone.
  • Tickets on Lawson were sold very fast, but their website, when experiencing traffic congestion, shows you a message that you have to wait (in Japanese AND in English) and you have to wait. As always, don't refresh the page because you'll be sent to the end of the queue. So, you won't even see the available tickets because all you get is the error message in red letters on a white background.
  • The official Japanese website also shows a similar message and doesn't let you see the current state of selling.
  • Tickets on Eplus were sold very fast, but I couldn't really measure the amount of time because I wasn't interested, since it doesn't accept foreign cards anyway.
  • As for the English version of the official website, it does enable you to choose what you want, but when there's a flood of customers it shows you the error message saying they couldn't make a booking for you, as soon as you click 'next' after choosing the date and time and entering basic info about you. The system does not reflect available tickets in real time, so if you don't succeed, you probably chose the wrong performance. I mean wrong as 'no luck'. The official ticket selling system is based on Pia's service and it reloads information about available tickets every something, I'm not sure how fast, but even though the tickets are shown as available, there may be none in reality.
  • Opening the official website's ticket selling system in several tabs of the same browser leads to the whole process of booking being cancelled. It's written in the error message you get, so don't try to open the same link twice and clicking on it like crazy. Instead, open several performances you're interested in separately in several different browsers, thus you will escape cancelling. Or try opening in different browsers different types of seats for the same performance.
  • In case of extreme congestion you'd probably like to turn on auto-fill if your browser has such a function. It saves time. Because I guess from time to time you'd want to return back and see if the tickets are still on sale.
  • So, it took me 44 minutes of constant refreshing, clicking, searching, kicking the table in despair and envisaging how we would be standing in the morning queue for same-day tickets. After that the main flood obviously went down and the website finally began to show the real state of affairs. What I managed to see was that there were still some tickets available for the day that we intended to spend in Osaka, but there wasn't much choice so we went for it - and had to change our flight, hotels and plans. I imagine this system gives you the same 10 minutes for completing your payment as the others do, so when you see you managed to book your tickets, you may breathe out and relax for a couple of moments. Then gather the remaining strength and complete the process as soon as you can.
  • Judging by today's experience, S-seats remained on sale the longest, maybe due to their number, because A and B only take one sector of the balcony each, while S-seats take the rest of the hall, excluding the small SS-sector in the middle of the first floor. Previously I thought they were selling faster because they're better.
  • And as you may have understood, the only website that was still selling after one hour went by, was the official English website of Takarazuka. All the other 'playguides' sold their share during the first minutes. And I'm not exaggerating, I tell you. The entire month was sold in several minutes. I'd never imagine 'Rurouni Kenshin' was so popular. That means that I'm a naive fool, because my friend told me that the tickets to Grand Theatre were also sold out very quickly, but I preferred to think it was because she went to buy them too late.

21 June 2015

three things that led me to Takarazuka ~ some memories of my past

I have been telling my friends that there were only 2 anime series that made me feel interested in Takarazuka. I was forgetting one thing, not as obvious but even more important.
It happened 5 years ago when I was rewatching 'Samurai X' or 'Rurouni Kenshin'. Already having stable internet connection, unlike the first time I was watching it on TV, I could indulge in watching it with the original sound and check some info in the web whenever I wanted. That's why I could fully appreciate the Japanese art of voice acting and immediately fell in love with Suzukaze Mayo. Her voice was some kind of magic and I couldn't fail to check what kind of person she is. She turned out to be a former Takarazuka Top star, but that time it was nothing but a name to me.
Just a month later I started watching 'Sakura Wars' or 'Sakura Taisen'. I've read that the composer was inspired by the OSK all-female troupe, if I am not mistaken, so it's no wonder the soundtrack is full of josei-kageki-like songs - songs reminding those performed by all-female troupes (and there are quite a few in Japan, which is a topic I will develop in a separate post later).
But this isn't the first time I touched the 'female revue' esthetics. The first time was 'Sailor Moon'. And I'm not speaking of Haruka, the obvious Takarazuka-inspired symbol. I'm speaking of the Three Lights. Yes, Ogata Megumi is great, but the heart of 90s lies in these two songs.
 

29 April 2015

'Soul Eater' manga ~ some like it hot, huh?

It would be unfair if I said that this is one of the best shounen manga I have read. In fact, I've never read anything bad among long shounen series. 'Kenshin' was astonishing, I read the 28 volumes of it in my native language in some 4 or 5 days. 'Letter Bee' was a very serious intoxicating thing and I'm waiting for it to be completed so that I read it to the end. 'Jing' was an extremely weird and extremely interesting adventure.
Therefore, it's better to put it this way: 'Soul Eater' is the next item in my collection of wonderful shounen pieces, which proves once again that this genre is a source of extremely rare gems.
story and characters
Call me sexist or whatever, but female mangakas never create stories like this. Even if they make a fantasy story, it'll be about a cute girl in a beautiful dress and a bunch of hot knights. The best thing that ever managed to get away from it is 'Slayers'. Of course, there are a few other examples. But surely, you won't see an androgynous child say 'do you know where true hell is? it's inside your head'. In katakana.
Of course, a male mangaka means that there'll be something for boys to enjoy...
But that doesn't mean there's nothing for girls to enjoy. Unlike most shoujo, shounen does not mean that an extremely lame male character saves the world and gets all the girls. No, instead there are enough naked male torsos to look at
and occasional surprises to have a nosebleed with.
I mean, isn't he hot?
Isn't he?
 In case he's too young for you, have a few high-schoolers for dessert.
But that's not the point. Of course, it's not. The point is that the left side is lower than the right, and the symmetry is broken!
Okay, okay, enough with that. To be honest, this manga won my heart with a long black dress of the Heroine
You've got me, I was just kidding.
To sum it up, 'Soul Eater' is complete madness. Madness is the main theme of the manga, madness if the greatest enemy of the protagonists, but in fact, madness fills up every single page of this work.
And in the end, the true madness is really inside the head - inside the head of the author. However, this is the case I'll gladly follow it.
What I wanted to say with all these images is that this manga is gorgeous. Because the characters are hot because they are cool (now this was a real coincidence). Because they are hot exactly because they are strong, because they are ready to support each other whatever happens, because without those things whey could not win. Because when some sh*t happens, the author makes us laugh at some stupid detail like that symmetry thing or silly actions of major characters. Because right after something stupid he again makes the reader shiver and long for more, because it's impossible to let go of those wonderful people, each having his own personality and therefore personal reasons and motives, in a pinch.
I mean, this is epic.
And you know what I liked the best? The fact that, unlike most happy-ending stories, this happy end was not entirely happy like in 'happily ever after'. I don't like tragedies and dramatic bad ends, but that does not mean I like those kinds of stories where everything comes to an end and there's nothing more to tell. The greatest thing in 'Soul Eater' is that the enemy is not completely defeated, which means there will be more adventures ahead and there are still some goals not yet achieved, and the story does not end here where we part with the characters. That's much more positive and promising than when mangaka shows us how happy the characters are to finally settle down and never ever have to fight again.

graphics
It is almost strange and difficult now to recall that the first volumes give an impression that the author is 'slightly' inexperienced or at least has a very strange style. In general, the graphics gets only better with time, and every next volume makes the style more and more sophisticated, which I personally think to be important for a mangaka.
It's a rare phenomenon for me that a mangaka does not simply draw nice lines and clear contours, but bothers to create an explicit impression with his work. When necessary, mr. Ookubo even uses unusual for manga bold brushstrokes.
 When necessary, he emphasises that what needs to be felt rather than simply read.
And does not spare black colour, when necessary, writing monologues and inner thoughts of characters to make the reader taste them better.
And my favourite trick would be one page filled with black and covered with strange white stripes. At a closer inspection, it seems to be the author's fingerprints covering the whole page. But I won't show it to you because that's something you'd better find and examine yourself.

language
I would separately mention the wording in the manga, too. What I noticed it that the author was frequently using phrases that were tasty to pronounce like this line by Tesca Triptoca:
とことん混沌 (tokoton konton) - 'a complete chaos'
Another pleasant aspect for a person who understands the original language is repetitions of words and phrases that have key meaning for the story:
月だって歯が抜けてかみ合わないのに (tsuki datte ha ga nukete kamiawanai no ni) - 'even the moon cannot do it well (does not 'gear' well) because it lacks teeth' - the verb 'kamiau' that literally means 'bite each other', which was used several times with the meaning 'complement each other', 'get along well', here is used in relevance to the moon that literally lacked teeth, which made the verb have a double meaning.

conclusion
Were there any minus points? Oh yes, there were. Some meaningless deaths that are explained by nothing else but the fact that it's a shounen and it has to deal with this topic, otherwise it won't look like a real war. That's what one would have to put up with. However, I'm sure you've noticed already, I do love this manga. It was one of the best things I've ever read, let's not say anything about its genre. The perfect balance between different aspects of what manga is makes it stand out greatly. Incredibly interesting story with profoundly elaborated characters and unexpected twists, a hint on romance between some charactesr, but before that - other feelings, devotion, belief, trust, friendship and support, sacrifice and peace-making.
And the humour that made me ROFL from the 1st to the last volume.
Because, you know...
If you thought there would be something here, you're an idiot!!
 Even if you turn the page over, it's the same, you idiot!!
Now this page is extremely 'natsukashii' - nostalgic for me, because I still remember so well my first visit to Osaka with its symbol.
Oh, and personal thanks to mr. Ookubo for introducing Russia into the plot.

25 March 2014

lyrics translation. 'kono sekai no katasumi de' from RuroKen

the original lyrics from mojim
and the video from YT

Japanese

とても小さな出逢いからそれは始まってゆく
ひとり、またひとり訪れ それは物語になる

分かりあうために傷ついた 淚の強さがいつかきっと

君は誰を守ってゆくだろう かけがえなく思うだろう
君は誰と出逢ってゆくだろう この世界の片隅で

強くなりたいと思った 夢を折られる夜に
だけど、ひとりじゃない事を君が教えてくれたね

振り向く笑顏の向こう側 廣がる空へといつかきっと

君は誰を信じてゆくだろう 愛したいと願うだろう
どんな遠く離れてしまっても君の場所はここにある

風が途絶えても時が流れてもきっと、きっと忘れない

君は誰を守ってゆくだろう かけがえなく思うだろう
君は誰と出逢ってゆくだろう この世界の片隅で

君は誰を信じてゆくだろう 愛したいと願うだろう
どんな遠く離れてしまっても 君の場所は ここにある

君は誰を守ってゆくだろう かけがえなく思うだろう
君は誰と出逢ってゆくだろう この世界の片隅で

この世界の片隅で

English

From a mere encounter it starts
One by one people come, and it becomes a story

We got hurt to understand each other. The strength that lies in the tears we cry will surely someday...

Whom do you protect? Who do you consider irreplaceable?
Whom do you meet in your life – in the corner of this world...

I decided that I want to become stronger the night when my dream was crushed
But you taught me that I am not alone

To the sky that lies behind your smiling face, when you turn around, surely someday...

Whom do you trust? Whom do you want to love?
No matter how far we are from each other, here is where you belong

Even if wind stops, even if time flows, I won't forget, surely, surely

Whom do you protect? Who do you consider irreplaceable?
Whom do you meet in your life – in the corner of this world...

Whom do you trust? Whom do you want to love?
No matter how far we are from each other, here is where you belong

Whom do you protect? Who do you consider irreplaceable?
Whom do you meet in your life – in the corner of this world...

In the corner of this world...
_____
can't help crying every time I hear it. there was time when grass was greener and anime OSTs were not an entirely commercial product with no meaning

19 April 2013

the truth about myself I was not even aware of ~ analysing my own blog

incoming search terms and websites that refer to my blog are sometimes so funny I cannot resist making a post like this. if you think your search queries are private, you are mistaken. I can see them. and I can troll them ^____^

who else wants emma to end up with hans a victorian romance
oops. obviously I do not. I was absolutely satisfied with the ending in both the anime and the manga. however, there is one thing I would like to mention. there was no proposal to Emma from Hans in the original manga. moreover, there was another woman whom Hans could 'end up with'. haha, discover it yourself if you want

anime ecchi tit, etc
watching only a few anime series with ecchi led to a huge number of people directed here. as if 'ecchi' is the most frequent word of this blog. I do not even have a label like this. and meseems, I have just contributed to this process by mentioning the word 'ecchi' several times. what a pity! there is not actually anything about ecchi here, since I only mentioned it in regard to the anime I watched, which is not something to occur in the future regularly

ashita no nadja why does nadja choose francis
yeah. I would like to know that, too. especially when in the manga Francis and Keith-Black-Rose were one person. and especially when Nadja changes her mind in the last episodes of the anime and never decides anything, following her mother's idea - 'is it he who you need? or the other one? or no one of them?'

"rurouni kenshin sad" wallpaper
wow. not only I sell wallpapers here, I even sort them according to their 'mood' haha ^.^

boku wa kowai lyrics romeo and juliet
the only thing I cannot understand why this query led to my blog, since I have never even mentioned 'boku wa kawaii kowai'. have I?

sad flute in letter bee background music free download
well, not only there is nothing to download here concerning Letter Bee, but I also wonder what that 'sad flute' means. first of all, there were a lot of melodies with flute, and a lot of sad melodies in Tegamibachi. secondly, if you are eager to listen to it, you just download the OST album and search for it. am I wrong?

tegami bachi letter bee porn pics
this is the most hilarious thing I have ever heard of! ahaha......
well, ok. there are hentai doujinshi based on popular anime/manga. I have seen some RuroKen hentai manga. what comes to my mind when I read something like this is my friend's exclamation of grief - 'I can understand hentai with some guys, but Full Metal Alchemist! how dare they create hentai based on such a pure thing?'
Tegamibachi, from my point of view, never gave any hints on possible hentai. I tried very hard to think up who may be the possible couples for an activity like this. actually I could not find a single one. however, while discussing this with my friend, I noticed something. 'tis not 'hentai', 'tis not even 'yaoi' or something... 'tis 'porn'. so, this is what I am doing in my blog! I am uploading porn live action with people cosplaying Letter Bee characters! >____<
ahahaaaaaa, this query will make me die laughing...

saiga mitsuki, mitsuki saiga
there are 4 queries 'saiga mitsuki' and 4 'mitsuki saiga'. haha, since they are separate, it means that the total number of times was 8. too bad there is not anything really helpful in my blog about Saiga-sama

upd. 01.05.13
ashita ni nadja porno hentai
this is kind of a comprehensive phrase including all of the tags there are in my 'list of strange tags'. Nadja, porno and hentai in one line... just... wonderful... wonderful, because I am wondering who and how would want to see a Nadja-based hentai?

upd. 07.05.13
emma manga ecchi ? this is another surprise. ecchi in Emma. I wonder who would need it?
but everything else is beaten by...
 
erotic photo of letter bee
yeah. erotic PHOTO. you see? 

05 January 2013

my humble opinion on 'Rurouni Kenshin' the movie ~ if you want to have a good laugh

no I have not watched it yet. I only wanted to check the quality of the file I downloaded and since I love the original work a lot I could not stop and watched a few moments. they were enough for me, as I have a special 'talent' to be able to judge about anything with only a few hints or small pieces of information
laughable, really. actors, acting, setting, story... well, what is to expect? RuroKen is a brand, no longer a good old story. the last OVA and the movie reveal a completely different RuroKen than 'twas in '95, which would be ok if they omitted the unnecessary and payed attention to what was the heart of the story. OVA and movie are completely different from each other, too, but both of them failed to cope with the task of keeping the original spirit of RK
15 years ago drama was drama, funny lines were funny, cool frames were cool, touching moments were touching, beautiful pictures were beautiful
what surprised me most is that I do not dislike anything in particular. Sato-kun is better than I predicted playing Kenshin, Kaoru is cute, Sano is strong, Yahiko is pert, Megumi is beautiful, fights with special effects and tricks are probable just as they would look like if we film what is shown in manga. the problem is that all of this put together does not create the RuroKen I love
oh, now I see. this is my distorted way of seeing things. I have a special image of RK because of my own circumstances. modern Japanese boys and girls do not have the same image. I doubt they even know the original. and I am sure they have never heard of Suzukaze-sama and the other seiyuus. the movie is for them, for the new generation of spectators, not for me, the old version fan
no, really, I like some of ONE OK ROCK's songs, I do. they are strong and have good melodies, lyrics, composition, arrangement, performance and vocals. yes, I admit. but none of them made me cry the same as...

03 December 2012

JumpSQ, you are shocking me

I really do not understand why Tegamibachi and RuroKen are published in a magazine that also hosts this

26 November 2012

сёнен-сейнен по-русски?

лейбл "сёнен" - он какбэ уже говорит о своей целевой аудитории, но ведь границы между "сёненом" и "сейненом" порой расплывчаты, не правда ли? сёнен-сейнен вполне могут читать/смотреть и мальчики-школьники и молодые люди - в зависимости от конктретного произведения. это в Японии. всегда. а в России, сейчас? насколько интересен молодым людям "Рурони Кэнсин" - при нынешнем разнообразии жанров и всеобъемлющей доступности почти всего выходящего? кроме комментариев про то, что в очередном этти главгер уже не сопливый ОЯШ, мне на глаза почему-то ничего не попадается...

22 July 2012

My Victorian Summer

Victorian Summer - this is how I called the Windows theme I created myself in July. The reason is that after watching 'Dantalian' I decided to dedicate the rest of my summer to watching anime where everything takes place in Europe of the 19th and early 20th century. On the other hand, the second part of Shin Kyoto Hen comes out in August and I was going to dedicate that month to Suzukaze-sama. Unfortunately, I cannot even fund any of her albums. Even Jpopsuki has nothing.
Highly doubt searching in Japan itself would bring any result.
Guess my expenses rise dramatically. To the huge amount of money necessary for buying Kiriya-sama stuff I need to add some for purchasing Suzukaze-sama CDs, obviously rare - provided I find them...
Despair...

13 June 2012

realistic Rurouni Kenshin. a sad story

being already aware of the fact that most files end up being deleted, and most links - expired, I hurried up to download Rurouni Kenshin Shin Kyouto Hen while it's still available
however I had no intention to watch it as soon as I get it. I wanted to wait until the second part comes out. well, I mean, and want it now as well, but after downloading the first part I had to check the files whether they have good quality and require subtitles. and....
the first part being short - a half of the full length film, 46 minutes to be precise - and my VLC being rather slow recently, I ended up watching several crucial moments
mixed feeling. I cannot make any conclusion, of course, until I watch it properly. but this is NOT the TV series I loved so much, nor 'tis the tragic OVAs which were almost complete opposite of the series
the biggest disappointment? the seiyuus. I mean, 'tis not their fault, they are the same. but they were required to pronounce different text. well, times have changed, 'tis only natural... but the original charm is almost lost. there is no more tension and high speed so peculiar to the 90s. instead, the lines are pronounced slowly, as if the graphics cannot follow the high tempo of normal speech
it does seem so to me. characters are poorly drawn, and the most beautiful scenes are those with nature and town views (well, I hope I can call the old Kyoto a town?) - backgrounds, in general. no, better to say - characters are quite good, proportional... but the recent graphics of ALL the studios seem to be a result of great economy in details. they look as if there were a limited number of colours in the palette of studios and, there was limited time - well, it had always been, but while earlier the economy was achieved by unproportional and lazy drawing of the outlines, this time the method is different, the sacrifice is colouring. no, better to say - outlines are not of high quality, too, but I am no longer waiting for them to be good
and the plot. no more ORO. no more original atmosphere. a realistic story. realistic to the extent that the process of Shihio making love to Yumi-san is shown. of course, we are not children, and we knew there was such a thing in the original, there could not be no. but 'twas assumed, not shown. I am almost sure, the same goes for the other subtleties which were so precious. those subtleties made 'RK' a romantic (not romantic in the meaning of shoujo-love-stories) work. no subtleties - no romance. realism. this is what we will see this time
at first I was glad that the director is the same as in the TV series. now I am not. it would be easier for me to blame the very fact that the director was changed for the epic fail. now that he is the same - who or what am I to blame? and how could the same person create these two things?

p. s. and the ending theme. at least they could respect the memory of Kawai Eri-sama and put HER original version of the song

14 May 2012

my humble opinion on... RuroKen live action (unexpected, eh?)




well, even though I move forward, there are things I can never forget. 'Rurouni Kenshin' is one of them. and somehow I do not even feel wrong about it
though the release date is August 25, there are a lot of 'behind the stage' vids and trailers and tv programmes on YT for me to judge about the movie yet to come
I was skeptical about the movie from the very beginning. while waiting for the 'shin Kyoto hen' anime where all the seiyuus and the director are the same (and other staff, if I am not mistaken, such as composer... am I wrong?), I had no intention to watch the movie ever. I was completely sure that no living people can portray those characters so brilliantly described in the manga and in the anime (INCLUDING the third part of the anime which was not based on the original manga, but which was pretty good for me, too)
now that I looked closely I can find a lot of good points of the live action, which is surprising for me
the young girl playing Kaoru is adorable. she might be inexperienced in acting, but her age is the same as that of her character, which makes her very realistic and natural.  perhaps, she looks a bit more fragile than Kaoru in manga (especially in the last chapters where she was just almost a fat elderly woman >___<) but I can see she is quite a nice girl
cameraman work is superb. just compare the official trailer with 'behind the stage'. I can feel already how the angle multiplied by computer graphics emphasize the necessary aspects of what we see
the director seems to understand what he is doing. I though it might turn into a plain samurai movie or a soap opera, but it obviously did not. the creators did preserve the original characteristics which is certainly for the better
and the swords, ohhhh, though realizing that a sword is a weapon created to kill, I cannot help admiring how great the wielding of Kenshin is shown, and I hope other characters will show their true abilities, too
...and a fly in the ointment. the main actor. he is just...... wrong. just so completely unsuitable...... to the extent I cannot even put it into words
he is just overly cute when he is supposed to be simply cute. this modern face which is as if of a male model from a magazine cover could not belong to Kenshin
he is trying too much to seem funny when Kenshin WAS funny. his ORO has nothing in common with that of Suzukaze-sama. no, I am not agains male actors playing Kenshin and pronouncing the same lines as Suzukaze-sama did. but at least they should have the same charisma. have it or die
he is too sad when he is supposed to be sad. when I look at his sad face I cannot help thinking that it takes him a lot of efforts to keep his face sad
he is too cruel when he is supposed to be bellicose. Kenshin knew what he was doing, even in moments when he heard nothing around himself being concentrated on the battle - he was still concentrated - and... conscious? or something like that. and this guy looks as if he is out of his mind, including both scenes where he is in a battle, and where he is NOT in a battle
and he is simply TOO YOUNG. I could understand older actors and seiyuus taking roles of younger characters because they simply look/sound yonger than their real age is. but taking a 23-year old guy for a 28-year old... while he looks like a 18-year old one! >_____<
'tis just so completely wrong...
I hope that I am wrong about him being wrong. oh please, can there be at least one good live action among the thousands which should never have been released?

13 May 2012

I thought Suzuoki Hirotaka-san simply refused to participate in RuroKen Shin Kyoto Hen, or was too busy, or he stopped his seiyuu career... but it turns out he died. RIP
now that I recall his voice, I shall never be able to forget it. such an unusual timbre and intonations I shall never mistake for anyone else