Showing posts with label Yamaguchi Momoe. Show all posts
Showing posts with label Yamaguchi Momoe. Show all posts

17 November 2015

'Kinkyori ren'ai' ~ please, try to keep up with me

'Wowow, slow down!!!'
my friend said to me when I showed her this frame from 'Kinkyori ren'ai'


story and characters
So, after I watched the movie, I expected to see something similar but more elaborate. And because of that I was disappointed with the 1st volume, because its ending was already making a decent happy end. However, my opinion was changing for the better with every new volume. By the 2nd volume I understood that even if the kissing scene seemed less romantic to me than in the movie, there were plenty of other things to make up for that. In the beginning I was seriously thinking it was nothing more than a light comedy, but then I noticed that I was more and more often holding my breath, and it was not because of my Autumn catarrh. Then I made myself read slowly so that I wouldn't let it end too fast. It was dangerous to read fast because I would simply explode. You could cook pancakes on me because I was probably hot enough.
When there were still 3 volumes left I already felt the end was close and it made me very empty. It's a kind of feeling that only arises when I feel extreme attachment to the characters and their story. There is a good Japanese word for this feeling - 'munashisa'. It's when you see something different and then realise you don't want anything different, even if it is by the same author.
Now this is where I must stop pretending that I'm writing an unbiased review considering all pros and cons. I just loved the way the characters' relationship developed - and by the way, not only the main couple. Just to maintain justice I must note that all characters were lovable and, running a few steps forward, I was very happy to see that all of them were doing fine in the end.
But speaking of those two, I just love it when the guy is passionate, if not too impatient, and expresses his feelings in a straightforward way. And I just love it when he makes such painful expressions when there happens something unpleasant about their romance.
Citing myself, I love it when guys "dry up" (in other words, slobber over, dote on and suffer from their love). And I love it when they suddenly get all serious. I mean, really, what girl wouldn't want to hear 'I told you I'm doing it so just stand still here' having his head just 10 cm away?
You might have guessed, but I consider the Hero hot. If you haven't seen lots of shoujo manga heroes I shall tell you they are not always, 100% hot, but this one is. But I just wanted to present you a quiz: what keeps his pants from falling considering that nothing actually protrudes in the pants below the shirr?
Um... And if I created an image in your head that this manga is your pure romantic story, then I'm sorry. It's not entirely. And it has another side... How should I put it... Well, just imagine that in order to scare her daddy the Heroine makes a crab position and drives him to the edge of the roof until he almost falls down but then rushes to save him. 'Is it only me or this kind of situation is strange? And how am I supposed to react?' Exactly the Hero's thoughts.
And if you agree with him, the author asks you to keep up with her. You see, the vertical line under ※ mark in the left.
As you can see, Ms. Mikimoto is very well aware of what she's doing and has enough self-criticism, which she never fails to express - I think by her ? she meant something like 'I drew a saliva drop on her mouth to show that she herself is eager to see the Heroine wear the clothes, but you would probably say 'what's that?' so I'm putting this ? mark here'.
Oh, this is my favourite moment: the Heroine accidentally sees the Hero topless while he is changing his clothes, and her reaction is not your simple blush or KYAAA or running away. Her reaction is natural. Just what I would do if I were her.
By the way, if you wonder what it means, it says 'A dog was biting Ivan'. In Russian. I wonder why in Russian, but no matter what the reason I was happy to see some accidental Russian in a Japanese shoujo.
'Wha? Is it ok just to do it simply like this? It's strange, isn't it? It must be strange!' - says the Hero when simple cosplay of a doctor made it possible to enter the hospital. Again ※ mark answers us: 'just interpret it like it was ok'.
Now that I talk about it, I can finally articulate the second reason I enjoyed this manga, the first being the passionate romance: the mangaka's sense of humour was close to how I usually fool about with my friends, the same kind of imagination running wild and brain recalling absolutely irrelevant things.

language
I would recommend this manga to all young students who learn Japanese and want to read something in Japanese. School romance has never been a difficult genre, but I guess 'Kinkyori' is even easier than average. The only hardship you'll face is that the manga contains a lot of author's associations that require thorough knowledge of Japanese pop-culture, from the 'Great Teacher Onizuka' live-action (by the way, the first one, not the new ones you might know) to T. M. Revolution's songs, from Battle Royale II to to Momoe Yamaguchi's last concert.
Like I said, Mikimoto's imagination flies up to the sky every time she notices she herself created a situation that induces associations with something well-known, like a phrase that matches a quotation from some popular song, or resembles its title, or the performer's name, or a character gets into situation that reminds something well known. I can totally imagine how this was created: the mangaka makes her heroine say 'I cannot even tell him what I want to say so much', and then suddenly the song 'Poison' from GTO starts playing in her head, which she immediately puts down to paper.

graphics
It certainly takes some time to get used to it, and it certainly grows better with every new chapter, though it does not change drastically like it does in works of other authors I've read. What I appreciated most in this manga is that the mangaka was able to convey very strong feelings with just one or two frames, and make me, the reader, feel the whole situation, not just one simple emotion.
She looks aside. He looks at her. Suddenly the wind brings sakura petals through the window and inside that pick whirlwind she seems to be very different and specially attractive, just for a second. What would be his unconscious reaction?
Even though Mikimoto only used the usual tricks widespread in all shoujo manga, she used them so wisely that every time she did, the time seemed to slow down giving me more time to fell the moment through.
Ms. Mikimoto developed a style that made it possible to feel a second like it lasted for much longer when it's necessary, and enabled the readers feel the situation the way the characters felt it. Just look how wonderful she drew the scene of falling down the stairs.
Or this awkward moment when no matter how you try all your creations look the same, while this pro made only one picture and managed to show how the heroine changed very slightly, subtly, when she had natural makeup applied, which made her look certainly cuter even though there were nothing special done about her.
Ms. Mikimoto is obviously very fashion-conscious, because she didn't simply create something simple and easily forgotten, but rather developed a full set of clothes for every new situation that allowed it (read: except for school uniform), and I do cherish such efforts, it's always pleasant to see that the author puts a lot of thought into her work including even chapter covers and backgrounds.
And basically, the same wonderful mangaka is actually capable of creating something like this. A-ha.
I don't know, maybe she had her unlucky days, too. But I won't get angry at her. Who cares about such things if the next page gives you this:
I know I showed it. I can show it many times you know? And never get tired of it.

conclusion
I must add at least one fly into this ointment. When I read to the end, I was not very happy with the kind of story when the Hero deliberately pushes the Heroine away so that she wouldn't end up sacrificing herself. At first I was angry. For about half an hour. Then I thought of something that made even this flaw disappear. While as a girl I usually put myself into the shoes of the Heroine, I imagined just for once what I would do if I were in the same kind of situation as the Hero, having someone I think dear and seeing I'm not the best variant for him right now, even though hoping that he wouldn't change his mind after some time passes by. This is what we, people not having the natural aptitude to understand our own and others' feelings and emotions, do: we cancel our relationship altogether and then wait, and when we get sure we do love the partner and the partner returns the feeling, we come back. And then I stopped being angry. All the more he became honest with himself very quickly.
To sum it up, you should read this manga because... you know, I'll just repeat the words from the very work in focus: cause it's funny, why else?

p. s.
Don't make the same mistake as me and don't buy 'Genshoku Tsundere Danshi. Ikenai Sensei' that contains a special chapter of 'Kinkyori'. This chapter is included in the end of volume 4. Instead, read 'Sensei to kinkyori', which contains another special chapter. It was really cute and filled the gap between the graduation ceremony and Uni's departure to America.

01 September 2015

lyrics translation. 'Dancing starshine' by Yamaguchi Momoe

Like someone said in his review of this Momoe's album, this song is 'disco Momoe'. I totally agree. I think, she has no other song like this in her discography, even though there are some experimental ones. I was actually surprised that there are no Japanese lyrics in the web, so I wrote it down and could not even check whether it's properly done. The only version I could find is this. And I am afraid our points of view do not meet. I am pretty confident in my translation of some lines that differ from that website's version, but I might be mistaken even if I'm sure I did it right, after all.

I could not find any embeddable version of the song, so give it a try here, for example

Japanese

時間をとめられる魔法の鍵
扉を開けたらば夢の国
あなたと私メルヘンの世界に戻り
月に兎がいなくてもかまわないわ

おとぎ話は終わりがないの

さあ、踊りましょうよ 二人だけで
星たちの降るオーケストラ
さあ、踊りましょうよ リズムに乗って
いつでも恋はドラマティック

軽やかにあなたといつまでも踊っていたいのよ

時間を越えられるボタン押すと
未来が突然に飛び出すの
あなたと私 幸せを奇数にかけて
今日ばかりを信じてもつまらないわ

おとぎ話は終わりがないの

さあ、踊りましょうよ 一晩中
星たちの歌うバックコーラス
さあ、踊りましょうよ 見詰め合って
生きていることはファンタジー

軽やかにあなたといつまでも踊っていたいのよ

Translation

This is a magic key that can stop time
If you open the door [with it], there is the land of dreams
Me and you, we return to the world of fairy tales
And I don’t care if there is no rabbit on the Moon

There is no end to fairy tales

So, let’s dance – just the two of us
An orchestra of falling stars [plays for us]
So, let’s dance – following the rhythm
Love is always dramatic

I want to keep dancing lightly with you forever

If you push this button that lets you time-travel
You will suddenly see your future right in front of you
If we bet our happiness on an odd number
And only believe in the present day, it's boring

There is no end to fairy tales

So, let’s dance – all the night
A back chorus of stars [sings for us]
So, let’s dance – looking only at each other
To live is a fantasy itself 

I want to keep dancing lightly with you forever
_____
1. So, basically the difference is that I link phrases that are translated as separate phrases on the website I mentioned. And I'm sure it's the proper way to translate them. On the other hand, I dare to insert missing words in brackets [like this]. These words are what I see fitting the text, but are not the only words that are good for that line, and may be replaced by other words if another translator does it.
2. The problem I see is the 'odd number' line. Actually, 'kakeru' can also mean 'to multiply', but that wouldn't make sense, right? Also, since it's not 'kakeru' but 'kakete', I believe this line is connected to the next one and therefore, 'betting' is included into what the heroine thinks to be 'boring'

02 August 2014

lyrics translation. 'uchuu -cosmos-' by Yamaguchi Momoe


Japanese

愛し合うことはいつも真夏の
過ちでたった一つの真実
そんなこと誰かが言っていました
目を見れば分かるでしょう あなたが
私にはたった一つの真実
謎めいた天使の愛のささやき
二人だけに聞こえるの
青い星 白い星
夜空に浮かぶアラベスク
煌めいて 輝いて
愛の伝説 探しにゆくの
宇宙の果てまでも
宇宙の果てまでも
私はたったあなたに付いてゆくだけの
星のかけら

愛し合うことはなぜか真夏の
さよならとたった一度の偶然
そんなこと誰かが言っていました
いつの日か気付くでしょう あなたが
私にはたった一度の偶然
絡み付く夜明けの愛の光に
二人だけで舞い上がる
青い影 白い影
神秘にベール身にまとい
揺らめいて 時めいて
愛の神話を奏でるときに
宇宙の果てまでも
宇宙の果てまでも
私はたったあなたに付いてゆくだけの
星のかけら

Translation 

Loving each other is a usual midsummer
Mistake, and that is the only truth
Someone was saying this
You will probably understand, if you look into my eyes, that you are
The only truth for me
The whispering of love of an enigmatic angel
Can be heard only by the two
Blue star, white star
An arabesque floating in the night sky
Glittering, sparkling
Departing to search for the legend of love
To the end of the universe
To the end of the universe
I am a simply following you
Splinter of a star

Loving each other is for some reason a midsummer
Parting, and that is a mere fortuity
Someone was saying this
You will probably understand someday that you are
A mere fortuity for me
In the light of love of the enwinding daybreak
Only the two are soaring
Blue light, white light
Wrapping the body in a veil of mystery
Flickering, flourishing
While playing the myth of love
To the end of the universe
To the end of the universe
I am a simply following you

Splinter of a star

24 November 2013

KiriMari, dancing starshine

when one has a lot of things to do, one often ends up doing nothing from the to-do list, but something completely irrelevant. so here it is, the result of my 'whatever but not preparing for the exam'
as always, I use videos with my favourite one and only Top Combi, this time pairing them with a wonderful song which is 33 years old already, but still sounds fresh and unique - 'Dansing Starshine' by Momoe Yamaguchi. I used to love this song until I made a video with it love this song because of its 80s mood (composed in 1980 exactly), vividness and brightness and warmness of the melody, and of course, the wonderful voice of ms Yamaguchi. the lyrics with translation will follow very soon in a separate post, but I can say now that I believe the words and the song title itself suit the two perfectly. they were are like starshine on the stage

05 June 2012

link. Takarazuka Oldies Takarazuka Natsumero Song


W$%*)Q!)*#$!!!
that was an attempt to express how I want  this CD... and the fact that I ignored it completely when I went to Quatre Reves in April

Manaki-sama participating with 'mamotte agetai', which I heard in Onitsuka Chihiro's version but which turned out to be a song by my dear Matsutoya Yumi-san. and Reika-chan will sing it in three voices. and that is just *_____*

and of course Ryuu-sama Ryou-san will be great, though I do not know the songs they are to sing... still, the original versions sound great!





and Yamaguchi Momoe-san's 'playback' will be covered by Konohana Inori. WOW, musumeyaku singing such a song!

Off Course's 'ai o tomenaide' will be covered by Ayashiro Rea. I do not like this song very much, but 'tis a nice choice for Zuka cover album


just.... just... @)W*%#)*% again
well. stop this flood of signs. I want this CD. ok. it costs 3300 yen in usual edition and 5000 yen with DVD. ok. and I also want a lot of discs with Kiriya-sama. ok. so....... wait. WHAT AM I DOING???
I SHOULD BE TRANSLATING NOW TO HAVE AT LEAST MONEY TO BUY THEM!!! instead I am pitying myself again. stupid me!

20 December 2011

my humble opinion on Sakurada Junko ~ the world is full of discoveries

I am aware of the fact Japanese singers love to make covers on famous songs. it was a discovery for me that Aikawa Nanase-san covered 'Roppongi Shinjuu', and now I have discovered another interesting cover.
though I already knew that misono has covered 'kojin jugyou' I was not very eager to check the origin of the song and so I believed it to be Yamaguchi Momoe-san's one. however that is not true.
it was the Sakurada-san's version that made me think of the song's first appearance. and I have checked this time, to learn that it is a song of Finger 5.
well, I did not start to like the songb better, but at least I have a kind of direction to move on in my recent trend to explore the world of Japanese 70's. meseems, I shall begin to love it quite soon... why not? 
the other song which presents some interesting point is '恋はみずいろ' (koi wa mizuiro) which is actually a great masterpiece calles 'Love Is Blue' which is quite famous in the version by Paul Mauriat, and still is not an original composition by him.
meseems, I begin to love musical comparisons and I would like to provide the three versions of the song.
the original
the one by mister Paul
and unfortunately I found the Japanese version only by Abe Shizue
so I must leave Sakurada-san's version up to you

the rest of the songs by Sakurada-san are original, is I am not teerribly mistaken. I hope I am not, because the percentage of the ones I really liked is so awfully tiny. I wonder how much the person who made the advice for Momoe-san's lover to listen to Junko-san was wrong. I should admit there are some songs which seem to be quite related in terms of their style, though it seems to be inevitable to me, as they belong to the same epoch. at the same time, I cannot name the resemblance a good one. while Momoe-san eventually grew up to be a real woman though being still a girl in terms of her age, Junko-san seems to stay a careless girl, or at least she makes such an impression in her songs. they are light and cheerful, most of them are. that would be a good point, but meseems, we did not come to listen to some 2 gigabytes of the light and cheerful songs which we can not even distinguish between each other.
in general, Sakurada-san is not a singer I would give advice to listen to, as she obviously loses to Yamaguchi-san. well, this is however IMHO, and as far as I have understood, Yamaguchi-san was even less popular and prize-gaining. about that I do not care even a little, however, as I prefer the usual criteria - the presence of deep and true emotions which are obviously rare in the discography of Sakurada-san

08 December 2011

me hast skipped too many playlists...

it turned out that me hast already heard the 'kojin jugyou' thing by misono but me didn't know it ist an old song by Momoe!
the next interesting thing ist that the song called 'cosmos - 宇宙' is not the same song as the 'kosumosu' which is actually called 'akizakura' but the piano parts art quite the same

06 December 2011

lyrics translation. 'arigatou anata' by Yamaguchi Momoe

another translation I did a while ago
a song which struck me in the very heart when me listened to it.
it has the name ありがとうあなた (arigatou anata) and the performer is 山口百恵 (Yamaguchi Momoe)

Japanese

私のせいなら許してください
あなたをこんなに苦しめたことを
私のことなどこれきり忘れて
明るい日向を歩いてほしい

枯葉がひとつずつ零れるたびに
悲しいお別れ近づいてます
泣いたり笑ったり喧嘩をしたり
あなたといる限り素直になれました

ありがとうあなた
後どのくらい愛されますか
後どのくらい生きられますか

私のせいなら許してください
あなたを知らずに傷つけたことを
私は一人でどうにかなるから
いい人必ず見つけてほしい

小石をひとつずつ並べるように
いろんな思い出数えています
人から愛される幸せの意味
あなたは手をとって教えてくれました

ありがとうあなた
後どのくらい愛されますか
後どのくらい生きられますか

English Translation

If I it is my fault, please forgive me
That I have tormented you so much
Forget about me right now
I want you to walk in the bright sunny place

As dry leaves fall down one by one
The sad parting is coming closer
Crying and laughing and quarrelling -
When with you, I was able to become honest

Thank you
How much time is left for me to be loved?
How much time is left for me to live?

If I it is my fault, please forgive me
That I have hurt you so much without noticing
I’ll get along myself somehow
So I want you to find a wonderful person

As if putting pebbles in a row
I sort out different memories
The significance of being loved by someone -
You explained it to me by holding my hand

Thank you
How much time is left for me to be loved?
How much time is left for me to live?

06 November 2011

my humble opinion on 'Studio 54' by Moon Troupe

this time me would like to say some words about 'Studio 54'
the usual version is here http://www.tudou.com/listplay/GURRRIaiV34/s76b3krzz1E.html
the Tokyo closing night is this http://www.tudou.com/programs/view/_FJI3rmbEso/

acting
this time we are having no Masao in the show, as she is busy with her 'Hot Fairies' - you can even see an 'ads' of the show in one of the scenes of 'Studio 54'
on the other hand, we have a strange Mirio here. is it only me who can't enjoy the greatness of the 'villains'? I mean, though as the Algier's Jaques she was great, I liked Mirio's Henry there much better. then everything changed and I noticed Chauvelin much better, but still I was no fan of him. be as it may, whatever I watch - I am fond only of the 'good guys', and even if I see a great, cool, shining Mirio with unforgettable hair, with sparkling accessories and retro glasses and with that sharp makeup....... I still can't adore the character, though I might try very hard. I am absolutely firm in the thought that she is overly cool for such a brute as Zack... he should have been created the same way, with all the rockish attributes etc. but he shouldn't be that cute beauty Rio is. in the end I came to the conclusion she looks simply too womanly >______< I couldn't even see her as a Z-BOY and she seemed a real Z-GIRL to me at first, but then - oh yeah - I managed to think of Z-BOY, 'n you know what helped me? yeah, the love scene between him and Steve. is me still the only one to laugh at two actRESSES performing yaoi on the stage? as for Z-Boy with Steve, let me presume the scene was created to show that sex and drugs (and maybe rock'n'roll? just a little of) were in plenty in the year of grace 1977.
the minor role performers were also rather distinguishable! I recognized Sawaki at once, but oh, Yuriya-chan as Neil was also great! and Yurino-chan, adorable image! the kids were cute as well, really looking as kids! well, Hanahi-chan was Hanahi-chan, as cute as usual - 'bro, Jamie is happy~!' after Holly kissed her ^.^
and several scenes to enjoy... me couldn't help making some, as 'tis too funny, me was never expecting this particular show to be that funny!

singing
me was never mentioning the songs as they were always performed greatly. however I want to say that 'hoshi ni naritai' by Yuki-chan in 'Studio' is more than great, 'tis one of the best songs me ever heard by Yuki-chan. I can remember only of 'I'll forget you' from 'the Scarlet Pimpernel' when Yuki was just as credible and bright. the songs of reminiscence by Becky is performed so that it moves your heart and makes you almost cry and meseems Yuki-chan managed to take the 100% control over her voice at the same time, so 'tis as if she gave vent for her emotions and they poured down on us, the spectators, with all their might, but those emotions never prevent her voice from showing its maximum capacities. the trembling and the strength is so wisely combined with tenderness and softness that I could call it the perfection...
however, my favourite song is 'hitogomi no naka no kodoku' - it has both great lyrics and touching melody. I would even argue that 'tis a song with one of the deepest meanings any revue ever had

covers
we love Takarazuka for splendid dramatic performances, perfect movements in dances and strong and expressive voices in songs, and so on... however, there is always one more attractive point in revue parts. we can play a little game - I would name it 'guess the original source of the music'. the ending part of 'Studio 54' is an adorable collection of covers of famous songs - well, famous in Japan, and released in the end of 70s. obviously not only the 'Studio' itself takes place in 70s, but the final part also. so, the covers are 
YMCA - by the young siennes
then Ayahoshi-san, Morie and Magee perform a part of a song from 'Galaxy Express' which seems to be a title song
Mirio sings 'otokotachi no melody' - according to the trivia I found, a song by SHOGUN released as a theme song for a dorama called 'oretachi wa tenshi da!'
Aono-sama sings a song of Yamaguchi Momoe-san 'Be Silent' which is spelled as '美 サイレント' therefore translated as 'silent beauty' sometimes. a song with mysterious lyrics, haha
Kiriya-sama's appearance starts with a song 'HERO' or 'Hero ni naru toki sore wa ima' by Kai Band
all-troupe song is easily recognizable - 'In the Navy'
unfortunately the music is cut in the Top Combi Duet Dance >____< greedy copyright owners just die

the Tokyo Closing Night had another final - with another covers of course
the first song by Seijou-san with girls is 'Sky High' by Jigsaw
the next song by Hanase-sama is a 'remix' on..... on something. this is the case when I do know what the original is, but I can't make myself remember the name of it. completely. to the extent I almost want to hung myself.... >___<
Aono-sama together with Morie and Koshino-sama sing 'Hot Stuff'
after Kiriya-sama descends, there is an instrumental part which I am not sure about, whether 'tis a cover or not. the Troupe starts singing the famous 'Dschingis Khan'

Top Combi duet dance in the special version of the Finale... I love it! ^^` especially the part when Kiriya-sama smacks Aono-sama on the rear ^o^
well and because of this lift also

then the usual Finale follows with no changes - at least I noticed none. Top Combi duet dance music is not cut this time, as far as I can understand, but I still have no idea of what the music is. unfortunately...
the closing words were really long. and this is a good thing. the longer it takes, the more fun! ^___^ this time was one of the funniest closing ceremonies I have ever seen... with lots of jokes from Kiriya-sama, lots of dancing and lots of 'reraising' of the curtain

conclusion
I love this show.