Takarazuka monthly wallpapers ~ damned exams and graduation thesis, I have missed April and May wallpapers

well, here they are, the wallpapers for April and May. for some reason I like them a lot haha =)

though I still wonder if I really have to do this every month, since I have already posted the way to get them without a password...

April

and May

Mirio transfering to Flower... so what?

one would be blind not to notice that Mirio has been trained and prepared. Demi-Top is not a position same as nibante to wait for the Top to graduate and become the new one after that. having a fresh Top in Cosmos and a Top-to-come in Snow, there are only 2 Troups able to provide Mirio with some future. 'tis easy to guess which one is more realistic, isn't it. if you ask me, even Mirio's face looks Flower-ish, and girls who are to come to Moon are as cute as Miya which establishes, apparently, the new 'face' of Moon

well, that was really predictable. not that I care anymore
I have to admit there is less and less attractive in Takarazuka now

Zuka news ~ no I just can't

obviously Tamaki would not make Oscar. therefore, Akizuki will do it! ROFL

haaaaaahaaaaahaaaaaahaaaa, owww..... *wiping tears after laughing*

this is just... level of ridiculousness surpassing everything

oh I see, I see. Zuka found 'tis short of money before the centennial celebration which is to be gorgeous, since 'tis 100-year-jubilee, huh? that is why they must repeat the most successful things as much as they can, and that is why Star will have to play RomiJuri again. for the 4th time in 4 years. oh but can there be any other explanation??? do not tell me the troupes love RomiJuri so much that they fight for the right to play it. do not tell me this classical story and beautiful musical deserves being repeated that frequently

you are disappointing me, Zuka. instead of inventing something brand new and astonishing, instead of letting the Troupes challenge themselves, instead of reviving something outstanding and rare... you just please the audience with 'big hits'. I did not know your principles may fall that low. correct me if I am wrong?

Yumesaki-san and Manaka-san, both sisters as Tops, haha ^.^

haha, just read that Manaka-san who is to become the next Snow Top Musumeyaku is Yumesaki-san's younger sister. funny, I never noticed any resemblance... but even funnier, a 'family business', really

some thoughts about musumeyaku-san and Moon Troupe

Maihane-san announced her retirement. finally what a pity

now that I recall talking with my friend, who knows about Zuka only from what I've told her, she liked Snow the best, judging by their looks. somehow I am frustrated... I mean, even if she started watching Zuka performances, she would prefer Snow, at least in the beginning. and so, we would have nothing to discuss because I do not know even a single bit of information about Snow... >___< 'tis not as if I regretted this fact, but... I feel annoyed. just thinking that she was hesitating between Snow and Star, and praised Cosmos makes me think what a HUGE difference there would be if only...

well, on the other hand - those were only photos. actual performances are different

well, not for me. while I agreed that Aono-sama looked a bit cold and 'too perfect' - therefore, a little faraway and unreal, I liked her from the very beginning and I hoped that she would crush that impression of hers on the photos. and she DID. and how glad I was..... *____*

well, enough of that. my initial purpose of writing this post was to think of Manaki-sama

if we asked her about her roles we would certainly hear that she is grateful to perform in any play and take any role. she is too young to say anything different. well, I can understand that Juliette is a classical heroine and RomiJuri is a modern and bright musical, or something like this could came to mind of Manaki-sama and make her eager to play in RomiJuri. I wonder if she has the same interest in 'Too short a time'? 

I was against this performance from the very moment 'twas announced, but that 'against' was based purely on the fact that Star had already performed the play 2 times, and my impression of Yuzuki-sama and Ryuu-sama. this time I thought of the other characters. making a tragic hero of Ryuu-sama is understandable (though I hate it), but making a tragic heroine out of this cute tiny shiny baby who radiates Moon energy around her is unforgivable

and in the end I come to a very sad conclusion. I do not want to come to Japan and watch either RomiJuri, or 'Too short a time'. moreover, seeing Mirio paired with another girl but Manaki would also make me feel awkward (just like I feel when I see Kiriya-sama with other musumeyaku-san) - in other words, I am not willing to watch 'Spring Snow' Bow. and moreover, skipping classes of my last year in the university when they have just started in October is not a good idea. what is left there, then? watching another Troupe

stop. searching for a BAITO. earning money. saying goodbye to buying shoes I wanted so much. organizing a trip to Japan, and this time - taking my friends with me, which is a thing I dreamt of, but which means additional burden of scheduling, searching for a hotel, buying tickets, etc. - all this for watching another Troupe??? nonsense

meseems, some more reasoning like this - and I am not going anywhere. but then, what about my discs??? buying them with the help of internet? and paying additional 4000 roubles for delivery? nonsense

sh*t

my little thoughts ~ Yumeno-san in Snow

somehow I have failed to notice the fact that Yumeno Seika had transferred to Snow. and... and... and I don't know

'tis not  as if I liked her very much, but she was nice sometimes, in some performances. and in general

'tis not as if I really hate Snow with all my might. in the end, I have never seen its usual performances

but... Yumeno-san is certainly aiming for the Top, is she not? imagining her as the future Top of Snow is kind of disappointing. of course, she might change the Troupe. but 'tis more likely that the Troupe will change her more. am I wrong?

my humble opinion on 'The Tale of Coimbra'

the reason why I chose this performance to watch was... Aono-sama of course. the more I think about her, the more I love her. still I cannot make myself watch any Bow Hall or shinjinkouen if she has another 'partner'. this time, somehow I felt - if 'tis Todoroki-sama, 'tis ok. she is from Senka, and she is not a young actress 'in training'

acting

a strange thing, the more I watch, the more I realize that every actress has her own successful roles and those which do not impress much. therefore, if an actress seems to be a good one but gives an awkward image of a bad one, there is something wrong with the role itself. or so I thought while looking on some siennes in this play

Yumeno-san was the first in this row of siennes who changed their image for me. her character was completely different from what I saw before, and this particular fact made me think I was completely right when I thought she is a capable one, and 'twas me who could not appreciate her 'full capacities'. she was cute and funny, and I loved her

Suzumi-san was... erm... strange... o___O well, to be honest, she was strange before, too. somehow, none of the roles so far seemed to be 'her', or maybe, she never looked natural to me in any of her roles. this does not mean she acted bad, but she simply gave an impression of good acting, not living on stage. I wonder what kind of image would suit her best? this it yet to discover (and also, brown hair....... even black looked more natural on her ^^`)

well, Aono-sama herself was no less strange. while showing clearly that she is such a wonderful actress already, she was completely not herself with that speaking in high voice, uttering overly polite words and pretending to be such a usual affected girl from a typical European love story. ohhhh no I am not against such things, I love this kind of stories in books and movies, and I would love it in Takarazuka version, and I am willing to watch more of them... with another musumeyaku-san playing the main part

buuuuuut when she same out as Miranda... heeeey! that was nice! ^____^ but short T___T

Yuuka Riko-san. erm... well I hope she is a nice girl with a talent... which was not very visible this time, though. she simply overacted, or so I think

and Todoroki-sama herself. her previous appearances always savoured of coldness, and I was kind of persuaded that this cool attitude was a part of her elegant but distant image. I cannot say this image changes a lot this time, but her tragic, sad and deeply hurt character was if not unexpected than at least more thoroughly portrayed than I would expect her to
Miya-san. the only exception in this row. I did not like her at all. though her character could be a greatly portrayed young man, her acting was very weak. very, very, very weak. as if she had never been trained as an actress... >___<

vocals

I thought there would be nothing particular to pay attention to. and suddenly... O____O

the duet of Pedro and Pimenta... O_____O

the duet of Constanza and her mother... O_____O

the song of Antonio and his band... O_____O

ohhhh everything so ideal...

and also

music

itself was a masterpiece. the orchestra theme and the song for the Antonio-band, the aria of Ines when in the convent, the song of the ship crew, and a lot of other pieces impresses me much as they could be performed even separately from the play

plot

weeeell I honestly dislike when there happens any kind of tragedy because of misunderstanding (RomiJuri being the example) so this is not a story I would love to watch for real or rewatch ever

revue part
well, I was not expecting much from it, but it DID surprise me as well. the dances were very beautiful and though I thought they would be plain and a bit boring, they weren't. the part I liked especially was the one performed to an oriental melody and the moment when Aono-sama was raised by several otokoyaku was simply *______*
again, I saw how much she tends to adjust her movements to that of her partner(s), and her eyes also followed everyone she was dancing with. 'twas beautiful, almost impossible... and at the same time, she retained her style, soft and firm, swaying and rigid. the style which cannot be confused with someone else
my dear, dear, dear future Moon Top Musumeyaku.....

to sum it up
a great performance to enjoy, but does not climb even close to my Top list ^^`

my humble opinion on TCA 2011 ~ ROFL!

well, I should thank our vk.com Takarazuka group for providing the videos, though not in a very nice quality

and the performance presents...

a ghost named Rantom of Umeda Arts Theatre in Flower corner

a beast from Algiers in Moon corner

a priest and a nun dancing a tango in Star corner

and warm words towards the Japanese citizens who experienced the earthquake in March

a must see

my humble opinion: 'Bolero' by Star Troupe (2010)

did I say I like revues more than musicals sometimes? oh, I did...

then... did I say sometimes the worse the musical, the better the revue? I did... 

this is the case proving my conclusion once again. well, I might be the only one who thinks this way, but I enjoy watching Yuzuki-sama and Nene-chan being so cute and smiling happily, instead of trying to make the audience shudder with awe or weep for the characters... I am speaking of the 'spring' scene in particular.

if only anyone explained me what Africa has to do with bolero... well, I like the scene where the guys are shot, and then Yuzuki-sama sayth nobody will die today ^.^
concerning the covers for this time, 'tis the 'adagio' by Albinoni sung by Nene-chan and an unknown to me song in Spanish (as far as I have heard) that is mixed with it. oh, and classics also becomes a victim of the Zuka's love for covering. and what really maketh me hate myself is that I do not remember the name of the melody played when the girls wearing white dresses with fans in their hands and Yuzuki-sama (also in white) dance on the stairs >___< the otokoyaku dance this time is also a really brave decision for a revue, as it covers the famous masterpiece toccata&fuga. I am not totally sure 'tis a must do, even for Zuka, which pretends to be 'pure proper and beautiful'.
surprise-surpriiiise, I did not like the Bolero itself. IMHO, it had too much energy expressed, while it should have been much more subtle, especially in the beginning, when the melody is quite quiet. oh, sorry for the unexpected words play ^^`
I was so bored watching the dance that I even dared to think of some funny comments, the thing I do every time I see something interesting in my life. this time 'twas something like 'hey, Nene, dost thou know that Yuzuki-sama is cheating on thee? moreover, with an otokoyaku?' I hope no one is hurt by my remark, blame my imagination, it frequently spins out of control...
and one more thing that bothers me every time. who is responsible for the clothes design? I would like to say 'tis almost always perfect, and beautiful, etc... but sometimes it makes me wonder if there is a sacramental meaning I do not get. I mean, Yuzuki-sama wears a brown costume with golden stripes, and everybody else is wearing a golden costume with brown sleeves, and 'tis absolutely beautiful, but then enters Nene-chan in... a lilac dress. wha?
concerning the ending... 'twas the longest saying goodbye to the public I have ever seen! I love when they do not leave the stage as soon as they finish the performance, and if I were a big fan of the Troupe I would certainly be happy with such a repeating curtain fall-rise. as I am not, I was simply enjoying the fun. Yuzuki-sama is so funny, when kumichou was announcing the siennas that were born in Osaka ^.^

conclusion
a funny thing to watch and relax, as there are not many serious or sad topics concerned

my humble opinion: ’Passion: Jose and Carmen’ by Star Troupe (2010)

love triangles... love squares... erm... love pentagons?

what I recall in such moments is the line from 'You're Not All Alone' song (ending theme from Sol Bianca the legacy) - 'it's all right, I'm aware, life is fair'. 'tis really so. there are such things. many of them. 'tis ok. should be, at least...

'tis I who is not ok at all. having started with 'saikai' with its wonderful funny story and a (silly?) happy ending I ended up watching tragic stories also. sorry, but I am not a masochist... I cannot find any pleasure in watching sad and intricate stories which begin with nothing and end in nothing. was I mistaken in the Star Troupe?

BTW, is it only me who feels that the meeting of Jose and Carmen in the bar is a little bit overly... how shall I put it... well, at least it doth not suit the music, which seemeth to have more deep feelings than that plain passion shown. oh, that meaneth - the name of the musical is quite right - 'tis about passion, not love

'twas some 20 or 30 minutes from the beginning when I realized I am no more interested in watching it, though I was quite happy with the plenty of love scenes, as I was longing very much to watch something romantic. however, the rest (which was about an hour) flew beyond my mind, and I was only waiting for it to end, as I am not used to dropping what I have begun

who was 'lighting the way' is Michaela, a nice girl destined to suffer for nothing, the type I always feel sorry for and this sympathy seemeth to be greater than feelings towards other characters. I only wanted to ask if it is ok to ask a former girlfriend to look after thy mother

unlike the doubtful Gerard, Jose was firm in his choice when he was offered to stay with Carmen abandoning his previous life. this kind of decisiveness is much better than that tragic parting of 'Too Short a Time'. and the same firmness he showed when killing Garcia. impressive. not in the positive sense, however >___<

and Carmen herself... I was always interested in the kind of people who 'respect freedom' and say that they do not want to belong to someone, as I cannot understand them, being a completely opposite type. well, if they want to have fun in such a manner, I have no right to restrict them...

with the plot progressing, the misunderstanding progresses as well. I cannot see any reason why a person who loves cannot wait for a response, and I can see no reason why not to response, when loving and being loved. I could not even understand the feeling of being grateful to the mother for being born, as no one asks to be born actually...

and of course, the bombast of killing thy beloved because of a 'small misunderstanding' is very, very touching...... or so they thought? o___O

the more I watch, the lesser I understand. in the end, all that was left is... 'wha?'

my applause when the performance ended was as loud as that of the audience. as I was happy to see this nonsense stopping

siennas on the stage

Hisaki Seara-san. with both a cute face and a nice voice (which is again of the type I envy so much, with the 'high speed vibrating') she could be a really outstanding sienna, if not for her retirement. hath she got married? for example...

Nene-chan playing such a strong and dangerous woman was also an attractive thing. not that I like a person who can easily stab a woman with a knife, but looking onto a different Nene was fun. BTW, it took me a long time to understand that a Japanese is not a gypsy. oh, that's not what I wanted to say. are we not quite used to siennas being really great on the stage and having thousands of manifestations? this time Nene-chan was really as close to a real gypsy as she could be, and I consider it a really hard thing to do. we already know lolitas dressing in french clothes, we also admire otokoyaku in suits, but a Japanese girl wearing a long big skirt in flowers, and what's more important - behaving like a real gypsy - this should not have been so natural for me, as I have payed no attention to this fact when watching 'Passion' for the first time. this meaneth, Nene-chan is cool. well, a negative thing - on the other hand, I only conrmed my conclusion that this type of character is not for Nene-chan... better to say, for me watching Nene-chan. the problem is not her being a product of a completely another society, but 'tis just that this role doth not suit Nene-chan's personality, as fas as I imagine her

Yumeno Seika-san... I feel so sorry for not being able to appreciate her on the stage... she obviously is talented and she plays quite good, I am truly fascinated by the scene of her looking onto Carmen dancing - such a trifle, but portrayed so nicely... and still, I feel as if I dislike her, without any obvious reason. well, the only thing, she was breathing while portraying the dead Escamillio and it was very uncovered... ^.^ but that's not a thing to reproach a sienna, eh? after such an energy requiring dancing, she could not help breathing, which is quite natural. what is more important, I am not very delighted with her voice..... >___<

Yuzuki-sama portraying a bull. nice

well, though I did not like the characters, at least I should state the artistic skills of the main siennnas are perfect. such a strong passion is n their voices when they shout or cry, and in their movements, and the way they look onto each other...

another thing which bothers me is that while Ouki-san is absent, I cannot find any interesting siennas to look on, apart from Top Combi and Suzumi-san

the last question of mine. why such dresses??? the men outfit is completely ok, but both in 'Passion' and in 'Gypsy Baron' gypsy girl are dressed in idk what... I am not saying I am specialists in gypsy clothing, but I daresay I have an image of it, and meseemes, the Zuka costumes leave... well, leave something to be desired...

my humble opinion: ’Love Potion -an aphrodisiac of love- II’ by Star Troupe (2011)

of course 'tis great! 'twas a show by Moon Troupe (I would kill for the Moon version with my beloved Suzukaze-sama as nibante >______<)

apart from jokes, the show is really nice. as for now, my theory about the musical-revue correlation proves to be quite true. let me repeat my humble opinion: the worse the musical, the better the revue. vice versa, the greatest of the musicals do not have any revues at all, as the revue is turned into a small ending, not a separate piece of art. well, there are cases of perfect perfection, of course, when both the musical and the revue are great.

considering this particular revue, what I would like to note is

the music

the 'ru puazon' theme is very impressive and seemeth to be quite as we would like the main theme to be, eh?

meanwhile, Star goeth on covering famous themes. well, they alll do this, but the ones I have heard up until now were the jazzy melodies, but what we see in Star performances doth not stop to surprise me

let me say a couple of words about the covers in this revue. and about dancing ^.^

considering the 'Tristan and Isolda' scene, if I am not mistaken (and I am quite sure I am not) Nene-chan sings a kind of a 'cover' on the famous Intermezzo  from 'Cavalleria Rusticana' by  Mascagni. 'tis a melody I would recognize whenever and wherever, though I am ashamed I heard it in 'Rurouni Kenshin' for the first time... but I've seen the opera as well!

the second remark on this particular song - I believe it to be one of the most successful of Nene-chan so far.

and the dance of the two I believe to be one of tha brightest and cutest ever. that is why I feel this bright and cute couple should not take any overly tragic scenarios. these feeling of lightness and smiling suit them much better.

the cover by Ouki-san is also quite nice, but I am a little at a loss that the original vid on the song actually had a humanitarian trend in it... well, the song I dare to speak of is 'Another Day in Paradise' by Phil Collins. however, most of you probably heard only the sampled part of it in the Supafly's 'Movin' Too Fast'
BTW, Ouki-san seemeth to have the best candies there... I mean, she maketh the most curious covers, doth she not?

the next dance makes me wonder if 'tis not a cover again, but this time I can say nothing concrete about the song. on the other hand I can say about the dance... meseems, 'tis the first time I see such a dance by Yuzuki-sama and Nene-chan combi. and 'tis quite interesting to see the new image of them. and 'tis very nice to see once again what a wonderful couple they are ^.^

as fas as I understand, the scene with Spanish guys (yeah, there is some deep meaning, of course... but I do not get it by simply watching the scene, so let them be just Spanish guys...) is the beginning of new part which distinguishes the Love Potion II from the first edition. unfortunately, we cannot even judge what is the contents, as the vocal was cut >___< can anybody explain me the reason? Zuka was short of money and they bought the copyright of the song only for the live performance without the right to put it on the DVD? I wonder, if such a case is possible... if not, then what? ^^`

conclusion

I sincerely regret about Ouki-san being transferred... is it the case when nibante was moving too fast and thus had to transfer to the Troupe with the one of the nearest possible Top Star retiring? well, I still regret about the collapse of the wonderful Yuzuki-sama-Ouki-san duo dances and trio ones with Nene-chan

my humble opinion: ’Too Short a Time to Fall in Love’ by Star Troupe (2011)

introduction

this time it was not deliberate. I simply checked what I have in my Zuka folder and somehow I remembered that I was interested in the performance named 'Too Short a Time to Fall in Love' from the very moment I read its name for the first time. and somehow it turned out to be Star again. meseems, I shall watch all of the performances by Star available, to get acquainted with the troupe, as I have already began to do this. however, I am afraid I am actually too fond of the Yuzuki-sama-Nene-chan-Ouki-san group on stage. shall I be able to watch performances of the earlier Star?

I wonder how Yuzuki-sama became a Top after Aran-sama. is she (Aran-sama, I mean) not the 'affected' type, the one appealing to the public with her 'suffering' image? though her voice sounds too warm for that kind, I should admit (and actually, it was her voice what made me think better of her)

on the other hand, Yuzuki-sama and Ouki-san seemed to be such great partners. I begin to feel sorry Ouki-san was transferred...

the plot of the show

this time I feel much better. this is the kind I like, the one with many funny moments and characters destined to entertain the audience, as well as serious moments which really make my heart beat fast.

we are all fond of kissing-hugging-dancing-whatever, in terms of' 'rabu-shiin' but this time all this was replaced by a heart-gripping dialogue between the main characters. actually, after the dialogue in the middle of the show I already felt I did not need anything else. how surprised I was when I saw we have more of that! O____O

BTW, I have already mentioned it but Nene-chan seems to be apt to crying on the stage. though there are plenty of sad moments in the shows, methinks, I have seen such real tears literally falling down the musumeyaku's cheeks for the first time.

still, the end spoils it all. my honourable opponents may persuade me as long as they want, I shall never believe that those two should be separated. it is always up to thyself to decide, what is precious to thee, whether it is being with someone you love, or not. in other words, I cannot believe there was nothing they could do with the situation.

those arguments mean nothing to me. what is this? 'I shall never forgive myself' answers Claudia when Michael offers that he stays with her. she thinks he would be better becoming a rich owner of a company, having married with another woman, though he stats the opposite. hey, doth she even believe he loves her? if she doth, how can she say such things?

'for the sake of yours and the future that waits for you' sayth Anthony to Michael. he doth understand it well, of course, he is an expert, he knows better what Michael needs, eh? what a nonsense.

could anyone explain me what the good point of such performances is? the 魅力 of it, the appealing factors? why should I enjoy the story of people who make themselves suffer with their own hands? now with hands actually, with their decisions.

music

it hath been a whole day after I watched 'Romeo and Juliette' and I should admit I like the music in that show, as it is energetic and hath a lot of passion within. still, I cannot accept it as a Zuka's performance.

'Too Short a Time to Fall in Love', however, doth not sound that great and I am certainly not aiming to download it and listen to it with my walkman. at the same time, I like it much better than 'RaJ'. why is that? I am at a loss.

on the other hand, I suddenly remembered of 'The Scarlet Pimpernel' show, which was also a borrowed one - and sounded perfectly 'Zukish'. that makes me think, I was deeply wrong in thinking western musicals spoil Zuka.

where is the difference?

well, methinks the difference is the concept. the concept of the original SP book, the concept of the original musical seems to be very close to the one of the performances of Zuka. on the contrary, the concept of 'RaJ' seems to suppose too 'affected' performing. yes, there are strong feelings in the performances of Zuka, but they are of another kind. mehopes, they are.

the fact I dare to consider as a proof is that the end of 'RaJ' was so 'Zukish'. this means, they could not leave the musical as it was, they could not help making it more 'native'. and the ending really seemed to be in a contradiction with the main story.

what I would like to add is that the person who translated the name of the performance should face the shooting squad, or quartered, or...

now that was a joke. I am just angry about this variant of translation which affects the whole concept. it is NOT 'too short a time TO FALL IN LOVE' but 'too short a time TO LOVE', which means than the main characters had only 4 days to spend together, NOT that they were trying very hard to fall in love with each other and were not able to do this during such a short period. or did I get something wrong?

conclusion

having enjoyed so many sweet minutes of both the love scenes and the comedy moments, I was hoping so much to have a happy ending of a sensible people deliberately choosing the path of being together. I did not get it. if I were asked to perform in 'Too Short a Time to Fall in Love' I would refuse after reading the scenario. nothing could be more ridiculous. it reminds me of my lovely Moon performing 'My Love Lies over the Mountain' which was quite weak even in comparison with 'The Man from Algiers' which also had a bad ending, but seemed to be just a little more logical

to smoothen the bad impression, let us remember the cute moments. actually, I am too lazy to cut all of them, so let me show my favourite one. if only I got it right...
first, they are saying 'ka mo ne' which means 'maybe', and then we have the usual play on words - 'ka mo ne' turns into 'come on yeah, baby' and then goes even further - 'shake it out, babeee~' ^.^

'Romeo and Juliette' by Star Troupe (2010) - my humble opinion

the story. not the type I like, actually
seemeth to be a kind of bantering the masterpiece by Shakespeare, which I actually never considered to be one, in terms of its plot.

however, we have things like... lady importuning her husband's nephew, who loves his cousin, who loves our hero, who is actually loved by many girls... am I right?

considering the plot, mehopes, my honourable guests will not throw tomatoes in me. I do not understand where is that great love everyone speaks of,  as the the love with the first sight had no time to be proved. but if we try to take it for granted...

and what is the moral of the scene of killing? 'children, do not play with matches'. that is, one should not take a dagger if he has no intention to kill. and even if he does, he better not. I have never been able to understand, why people make something without thinking of the consequences and then they cry as weep, as if they had no relation to what they had made. I daresay, they are the ones to blame, eh?

what's with the nanny? she is teaching the girl how to live, then she is helping her, and then she suddenly changes her mind... what is the meaning of all this?

what's with the attempt to justify the parents? why all that nice singing? those who do not care about their dearest people do not deserve any kind of explanation of their opinion in such a long aria.

and what's with the end? just the letter did not reach its destination. yes, I am aware, there are little things which change the whole destiny of a planet. however, this one does not touch me even a little bit

their biggest conclusion is that they should make up and live in peace. how much they needed to sacrifice to understand this.

my biggest conclusion is - that must have been difficult to lie portraying a dead couple while all those guys (I am sorry... girls) were singing and going round and round.

well, what improves the situation is the ending, which is always so great in Zuka's performances.

let me drop the plot analysis right here.

voices

the voice of Suzumi-san. oh, that is beautiful. I am not fond of such voices when they are immature and unguided, but the vibrating of hers is so cool. it is not the opera type, but the one which is done in a different way, mehopes, one day I can understand which way it is, actually...

unfortunately, I have forgotten all the examples I could make, considering this kind of vibrating, and the only voice which is a little similar in terms of vibrating is the one of Mizu-san.

the other voices. is it a coincidence that they seem of the same kind? meseems, they have gathered all the siennas who sing similarly in Star ^.^

Ouki-san. as usual. I wonder why they make such sad and beautiful songs for people destined to be losers? Chauvelin, for example... I mean, the songs are too full of emotions which should not be there... I feel they are odd, they are out of place. and the characters, apart from their songs, do not appeal to me to the extent that I would feel any sympathy towards them. pitying, as maximum...

the music
we know the songs already and I can even remember some words from the Russian version. the Japanese text was of course quite different - just try to translate some lyrics while preserving the rhythm of the song. I should admit the Russian version was far more canorous, and Zuka's one seems to sound more that of staccato, if I can apply the term here.

the rock-pop-disco-IDK WHAT arrangement of the background is also very cute.

by the way, some movement during the ball were obviously stolen from Lady Gaga LOL

and all this saveth the musical from an epic fail of being boring.

meseems, I would never watch this musical if it were not Zuka...

acting... not actually, acting, to be precise

Tsurumi Mayuu-san. gorgeous............. *____*

overwhole impression
well, I still believe Zuka should not perform the borrowed musicals. no Elizabeth, no Phantom, no such things. meaningless and... awkward? though they add as much beauty as they can, the musicals do not become completely Zuka's ones, so...

oh, better no such things.

pics! - me is just too scrupulous!

the owners/creators of the website don't give us a chance to see the picture in its real size, not even a chance to download it. however they don't know about me, my persistence and deep love for some siennas. me is sorry to have no time and will to do the same thing with the other pics, but me has done only these ones for now
hope you enjoy big pics with good quality as me does