Showing posts with label Okui Masami. Show all posts
Showing posts with label Okui Masami. Show all posts

01 October 2020

IMHO. 'Slayers' ~ celebrating 15 years from the first broadcast in my country

Here's an interesting fact: 'Slayers' have a rating of 8.6 on a Russian database and community website, while it only has 7.7 on Myanimelist.
It's just another proof that, just like one commentator said on MAL, high rates are given to 'Slayers' out of nostalgia - because most Russian fans watched 'Slayers' when it was one of the first anime ever available in Russia.
So I have to be honest with myself: I'm not the same 13 years old schoolgirl greedy to watch whatever there's on TV. I'm a working adult. I'm an experienced anime fan. I can wisely choose.
What do I feel now, choosing to rewatch 'Slayers' 15 years after I saw it for the first time, and having watched so many other titles after that?
It's slower. It's simpler. It's full of flat, slapstick humour. It has a lot of fillers. It involves a lot of meaningless talk like informing others what one intends to do during a battle. It has a lot of awkward moments when evil characters just stand there and wait for the protagonists to finish talking. It's hardly believable at all.
But it's colourful. It's outside genre frames and free of limitations. It doesn't have that 'game mechanics' - the cause of my irritation with modern anime. I feel greatly relieved to see other people have noticed this phenomenon too.
'Slayers' have all the possible clichés just to make fun of them.
It breaks the 4th wall. It's crazy.
And it doesn't let us forget even for a moment that it is one of a kind.
'I take back what I said about 'Slayers', that it's a classic fantasy anime' - I said to my friend on the second day of rewatching.
'When I watched it, I thought this is how fantasy anime is supposed to be' - answered my friend.
And I realised I thought that too.
I just didn't know there could be something different, 15 years ago, I didn't know that later anime would present me again and again with the same set of flat characters acting like puppets as if to illustrate socially acceptable traits. I thought it's okay to be egocentric, wilful, arrogant, independent, powerful and skillful, to know what you want and know your worth. I thought every character was supposed to have their own goals and special traits. I thought theme songs must be so great that I'd spend a month listening to them every day and not getting enough. I thought background music must be noticeable. I thought voice acting must be unforgettable. I thought landscapes should be such that make you believe that such a world exists, and they are more effective in this than portraits on the wall or fancy candelabra.
I thought I'd say 'call me when you make another masterpiece like this', but seeing the compromises made for the new Revolution and Evolution-R series, I know it will never happen. 
Maybe high scores are given to 'Slayers' out of nostalgia. But it's not a nostalgia like 'I watched it when I was young, even though it was bad'. It's a nostalgia like 'I watched it when I was young and nothing compares'.
I wonder if any of these new titles, which are required to have at least 10 words in them, will cause such nostalgia in 15 years.


21 December 2011

lyrics translation. 'Nostalgia' by Okui Masami ~ can you find another song like this...

this time I would like to share my humble attempt to translate the lyrics of a song called 'nostalgia' by Okui Masami. the lyrics turned out to be more difficult to understand than I expected, so the quality of the translation is not really good. still, there are some lines which I love very much, the ones about 'people cannot wend their way alone and it is just scaring' and 'being loved only for loving' are my favourite

Japanese (http://j-lyric.net/artist/a001d79/l004222.html)

笑えた頃 見つめられて
いつでもいつでも 嬉しかった
その瞳は 私ではなく
誰かの笑顔を求めてた

あたなたがくれたもの 長く遠い心の距離だけ
永遠のレールには汽笛が響いてる 乗り遅れた列車の

やさしくなれたのに 生まれ変われたはずなのに
もう動けない ここから 人は独りで歩けないものだと
知っているから恐くて

その列車の行方探し
どうして どうして責めたのだろう
心の鍵  私ではない
誰かの手の中置いたまま

悲しい事実でも 隠しとおすのがやさしさだと
恋愛のルールなど欲しくない 知りたくない
真実はひとつで

破れた地図の上何を信じて生きればいい?
きっと笑顔を忘れた 悲しいココロでは生きられないよ
泣けるだけ泣き続けよう

破れた地図の上出遭った二人歩いた場所
そっと輝き出す涙の跡には道が生まれ

やさしくなるために 生まれ変わろう いつの日にか
今 独りで手を振った 「愛するだけで愛される」なんて 子供だったあの日々に...

この笑顔忘れないよ


Translation

Those days when I was able to laugh, being looked at
Always, always made me very glad
Those eyes were seeking for not mine,
But for someone’s smile

What you gave to me is the distance to your faraway heart
The steam whistle is echoing in the eternal rail – of a train that I missed

Though I have become tender, though I was to be reborn
I cannot move away from here, people are unable to wend their way alone,
I know it, and it is just scaring

Searching for the course of that train
Why, why did I blame
The key of heart, not in mine,
But in someone’s hand is left

They say tenderness is to keep hiding it even if it is a sad truth
I do not want, I do not want to know such rules of love. There is only one reality

On the top of a torn map what shall I believe?
Certainly, I cannot live with a sad heart that has forgotten the smile
I can only cry, so I shall cry

In the place where the two were walking, having met on the top of a torn map,
A road appears where the softly shining tears were flowing

To become tender let us be reborn, someday
Now I waved my hand alone to those days when you could be loved only for loving,
Those days when I was a child

I won't forget this smile