Showing posts with label Koyama Rikiya. Show all posts
Showing posts with label Koyama Rikiya. Show all posts

03 November 2018

IMHO. GitS SAC ~ a collection of unexpected

How about this concept of a masterpiece - something that can be interpreted and analysed in many different ways.
I mean, I could base my review on the original soundtrack and explain how each song and each instrumental illustrates a certain motif in the story. I would sing praises to Yoko Kanno, because she is a genius like no other, and I would certainly say that I regret very much the death of Ms Origa. And here I would ponder what could happen if Ms Origa lived in the world of GitS and was able to reload her brain into a new prosthetic body...
The moment the tilt rover takes off accompanied by the lowering electro sound... It gives me more pleasure than many full openings I've seen.
Or I could start arguing how GitS SAC is a row of short stories exploring the issues of artificial intellect multiplied by artificial bodies, with the story of the Laughing Man and Individual Eleven acting as a unifying thread. Some of the stories were actually incredibly impressing and inspiring to think over something important.
At the same time, it's a mixture of life stories of several people, the main characters, with every new development making my heart skip a beat. The amount of nerves I lost during 'Solid State Society' is not something to be replaced easily. I think I haven't been worried this much for a while... I would also add how I found it so strange that I cried over the destiny of the artificially created mechanisms if not more than at least as much as I cried for real people in many other movies and anime I had seen.
And I could speculate how in so many situations the lines spoken by one character could be interpreted as having to do something with a different situation not mentioned explicitly but clear from the context, like when the reason why Uchikomas' AI didn't develop into the same one as Tachikomas' was explained, but at the same moment you realise it's also about the Major and her decision to start her own adventure.
I could also do some research and start digging into SAC seeing it entirely as an action-mystery series, finding faults in the plot and trying to justify - or blame - them.
Many contradictions would be actually found with the world they live in - the world of the future, but with strange rudiments of the past, where they use CD despite being able to carry portable memory devices suitable for storing the whole brain
or having to whisper secret information while others can communicate via something bordering on telepathy
or keeping important documents on paper
 or using those 'Galapagos' flip phones
Picking another way of telling my impressions, I would mention that GitS is a work that puts too much questions on the table, not answering most of them.
Tying these two theories together, I would share my wonders and say how it is even more strange now that only 3 months are left before it's the 2019 they mentioned.
Some things do not change, however, like Tokyo freaks... And how can you possibly dislike an anime which has so many tiny details properly thought over, such as these people wearing weird stuff while it's already AD 2032
or the way the prime-minister wipes the wire with a small cloth after Kusanagi asked her to receive data directly. Or the way a small shop interior is meticulously portrayed when the characters simply run by. Why did they have to create even the mosaic above the door?
Sometimes it's almost scary how vast the scale of this anti-utopian world is and how far the imagination of the creators went. Ohhhh how did you know 20 years ago?
I say HOW_DID_YOU_KNOW?
How scary it is to watch 'Individual Eleven' when only last week I translated and edited articles on Global Voices...
I say, just how much did they think about the modern world when creating this anime?!
Oh yes sometimes it's scary. If it's what I think it is, then only a year ago I visited an observation deck here to see the prosperous city's night-scape and bought some souvenirs in the shop.
Now for the good part. By the way, GitS is slightly
only slightly ecchi sometimes
And I liked this side of GitS too. No, to be more precise, I liked that for the first time in a while I saw grown-up people making grown-up decisions, and most importantly - a young attractive AND capable AND dangerous AND strong woman such as the Major.
Seems that long before I began to feel satisfied at least with 'arrogant bitches' there were real women to admire... I have forgotten this feeling already. To say nothing of the voice acting, which actually set me back on track and reminded how real voice acting is supposed to be done.
I mustn't leave aside the humoristic aspects of the story. Right? Robots claiming due respect
 misunderstanding the situations
 giving high five to each other - was it a part of their AI self-learning system?
Some double-layered puns? A company president reloaded himself to a tin box speaking Osaka dialect which turns out to be not native...
Oh, this is a great idea - basing a review of GitS on how the 'stand alone' concept is used in so many different contexts, I think I could name 4 or 5 times it was used in the song lyrics on top of being simply a basis for some characters' actions (Inner Universe, The end of all you'll know etc.).
However, the fact I first mentioned to my friend dying to share my impressions with her in hope she'll watch it too someday, was how the team of the main characters was based around the idea I liked so much.
Teamwork and team spirit and soldiers in the same uniform and with the same hairstyle are all okay, but an organisation where individuality is respected and every one is given freedom as an acknowledged specialist with his own way of doing things - you don't know how much I envy this structure, oh no, not unless you are working in a dull governmental organisation with significant rotation and absence of initiative, like I do. Understanding all negative points of such structure I still think I'd be very glad to say 'my ghosts whispers to me I should do so' to my boss - and be allowed to do so immediately.
And then, how can I keep from praising the art and visual design when it creates such an inimitable atmosphere...
Who decided to portray the digital environment as this kind of colourful space? He is a genius isn't he? And who created this scene in the movie, he must know it captured my heart conclusively and irrevocably.
So now, what was supposed to be a short compilation of the thoughts that came to my mind while I was watching the series, evolved into a huge mess in the shape of this post. And I don't care.
Still, there is one thing I regret.
I hope this new society will not be bogged down in its beauty vlogs, live streams of something no one really asked for, street pranks, silly DIYs and, even though I myself watch them constantly, cute cats videos.
The net is vaster than ASMR and letsplay, right?

18 December 2014

'Soul Eater' anime ~ so cool so scandalous

There are cases when the story is interesting, but the ending spoils it all. Or when the music is better than all the other aspects. Or when a famous anime director you were having high hopes for does not prove to be as good.
All of it does not have anything to do with 'Soul Eater'. This is a story of coolness.

story
What is the usual result of making an anime based on an ongoing manga which is not going to end any time soon? A poor ending of the anime. The directors either try to follow the manga as long as possible and then suddenly turn everything upside down, or create their own version of 'how it was' and fail to present anything edible credible.
Imagine my surprise when all plot twists in the anime turned out to be interconnected and by the final episode they all came to one single ending with no plot holes or mistakes in the narration. Moreover, even though the story was far shorter 'twas interesting enough.
And now let's forget all the difficult words and phrases I used.
...
This is a true 'shounen' piece, showing examples of brave warriors fighting with evil who know no fear. Oops! They do. In fact, this is the main attraction of the story. You don't have to fight with no fear. You have to have the courage to fight your fear.
In the middle of the series I told +Арагорн Араторнович - tell me my dear friend, why anime is considered to be bad for young people when such pieces like 'Soul Eater' promote friendship, trust and loyalty.
It's the kind of anime series where moments like this remind you that this is 100 times more important than any series created exclusively for entertainment.
Still, SE tries to be something out of the box and overcome the walls created by the 'shounen' genre.

It's not without fanservice, though. Both for guys and for girls.
The characters are abundant, and everyone could find one to relate to, one to respect or admire. Or more than one. Or relate and admire at the same time. Because it's like the first time I felt understood the character's feeling SO deeply.
And despite tons of blood spilled, it is an extremely kind shounen. Because everyone is doing his best to protect his friends, and to protect the whole world. Because even though they explain that they simply want to be cool, or to be greater than god, or to maintain the order, in the end they all fight for peace.
...
......
And still, the biggest merit of this series is...
The humour. The wonderful Japanese humour that rather than simply making you laugh, makes you stare at the screen and say WHA????
Like, have you ever seen a God of Death who is like
Or a singing Legendary Sword whose favourite phrase is
The level of madness in the series reminded me of King of Bandit Jing. I've never ever seen such crazy ideas, be it the story or the design.

music
Welcome my new record-breaker. The playlist I created out of Soul Eater OST, character songs, opening and ending themes lasted for 6.5 weeks. If there were cases when I listened to an anime OST for so long, it's not hard to count them with one hand.
Taku Iwasaki is a genius in OST-composing. Different bands who lent their hand to creating the album gave the OST an original hip-hop feeling. The tracks just didn't fade away with time. 6 weeks in a row they were inspiring me, or better to say - weren't letting me go.

voicing
I've heard Omigawa in a different anime. Her voice made me want to switch it off. I heard Uchiyama in a different anime. His voice impressed me so much I decided to keep my eye on him.
And it doesn't matter here at all. The seiyuus did such a great job I must confess the manga would not be that interesting at all if I didn't read the characters' lines with their respective seiyuus voices.
Welcome the other heroes - Kobayashi Yumiko, Nazuka Kaori, Miyano Mamoru, Takahira Narumi, Watanabe Akeno, Koyama Rikiya, Sakamoto Maaya, Ookawa Tooru, Kuwashima Houko and Neya Michiko, Uchida Yuya, and of course - mr. Koyasu. And many many others. It's not that they simply did their job. They made the black-and-white world of the manga colourful to the fullest.

graphics
I must confess, even the original manga did not look as attractive as the anime in some moments. Maybe that was because the anime was created when the manga was already moving towards its middle, and the anime designers took a bold step to creating a fuller, 'spaced' variation on what they saw in the earlier chapters comparing them to the later chapters.

conclusion
If I had to explain what SE is in one sentence, I think I could use this stop-frame.