Showing posts with label Iguchi Yuka. Show all posts
Showing posts with label Iguchi Yuka. Show all posts

20 April 2021

IMHO. 'Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan o Erande Iraremasen' ~ The quick brown fox jumps over the lazy dog

Fantasy stories are stories that contain a fantastic assumption - some fable that has to be accepted as-is, while every other element in the story maybe far from fantasy. 'Dracula' assumes there are vampires. 'Star trek' assumes there are spaceships with warp function. What does 'Honzuki' assume? That a college graduate from Japan founds herself in another world confined in a body of a 5-year-old girl? Nope. The fantastic assumption of  'Honzuki' is that right after she gets up from bed, she begins her attempts to produce books. No acclimatization, no after-death shock, no troubles with establishing relations with people around her. The only problem of the new world is the absence of books.

'Another world', an 'isekai', should be either extremely fascinating, impressing enough to make the viewers forget all their possible questions, or stop pretending to be serious. It's all very nice that Main makes commercial deals, but while everyone around calls her a weirdo who behaves as if she's much older, in fact the problem lies not in her, but in almost all children around her, and nobody seems to notice it. I'm sure children were helping parents from a very young age in Medieval Europe, but I'm also sure they were children, and that they didn't make any philosophic conclusions like chibi characters in 'Honzuki'. At the same time, Main behaves like a real child with no trace of her former 20-something-year-old self, despite the fact she remembers how to produce things.

So I've been watching anime for something close to 20 years. And my parents have had enough chances to have a look at what I watch. And 'Honzuki', I must tell you, is one of the few anime series that my mother asked 'Is this an anime for children?' about. She also praised voice acting. And what this means is simply this: that the voice actors speak in a manner easy to comprehend, so that even my mother, a foreigner with no knowledge of Japanese, can hear where one word ends and another starts, can guess the moods of characters based on their intonation, and can understand that the speech is clear. In other words... this IS an anime for children. I mean, it's not supposed to be, but it surely looks like one.

Only after my mother said this I realised what bothers me so much in 'Honzuki'. Despite getting a rating of PG-13 for some serious topics and some violence such as killing a pig, 'Honzuki' is a children's fairy-tale-cum-textbook. It's no wonder Shou Hayami with his low voice narrates the beginning of every chapter like a local Drosselmeyer. Every character explains their actions and Main herself comments on everything she does. Older characters constantly remind her what she needs to do being a daughter / a merchant / a noble. Sit down and write down, children, this is the role model for you.

Sometimes there comes in a person into the anime studio who exclaims 'But this is a drama!'. Then the staff rush to make it dramatic. They add touching moments of Main suddenly remembering that she hails from another world... Twice in 3 years, huh?

Soon season 3 will come out and it looks like it may be far from the last. But I'm sure the ending of this story is like this: they lived happily ever after. What a pity I don't give a damn about it. I only give it the 3 out of 10 it deserves for the few funny moments there were.

Now that I think of it... I didn't even make a single screenshot of this series. I guess, this is as much as there was to capture.

09 February 2017

IMHO. 'Tamayura' ~ OVA, 2 TV series and specials, totally made of kindness

When I first watched 'Tamayura hitotose', it was just a short series for relaxed entertainment. What I didn't expect is that by the end it would turn out into such a wonderful coming of age story with the characters so deep and the story so full.
Speaking coolly, I can say 'Tamayura' is a great source for learners of the Japanese language and culture. It brings out many important aspects of the Japanese society such as taking bath together with friends and family members, even if they happen to be of the opposite sex:
gratitude and respect towards parents and relatives:
proper attitude to serving the clients:
and the importance of supporting and inheriting the family business:
But the main idea of 'Tamayura' is that this world is entirely made of kindness. To an unprepared person it will seem saccharine sweet. Especially if today in the morning you had to make your way into the bus with your elbows lest you fail to secure a seat in the bus. Especially when a couple of days ago another suicide bomber killed a dozen of people in some country.
The idea of total kindness and happiness appears the very moment 'Tamayura' starts and does not leave the screen even for a second. Happiness is everywhere, in the head:
in drawings:
 in photos and memories:
 in sweets:
 in fairytales:
Next time you worry about entering a new collective, try to whistle.
Okay, just a bit more happiness
 aaaaand
However, after watching lazily the first episodes about peaceful everyday life of several teenage girls eating desserts and having fun, I gradually noticed myself taking one by one paper tissues to wipe the tears streaming down my cheeks. By the last episode of the specials, I realised how grave the issues in the story had become, and how realistic the way the girls were dealing with them was. If some stories may be called 'bittersweet', this one I would call sweet-bitter, in the order of appearance.

graphics
If the first episodes may be simpler in terms of shapes and details of different things including faces, the last specials change very much adding even more lustre to everything. However the backgrounds were gorgeous from the very beginning. That wonderful ability to create beauty in everyday life and notice beauty in ordinary things is probably something I respect the most in Japanese.

music
If there must be a fly in the ointment, it will be music in 'Tamayura'. While the background melodies were good and always fitting the situations, the OPEDs were extremely weak expressing nothing in particular, being just average tender songs performed by average singers. The best songs in all 'Tamayura' parts were 'Yasashisa ni tsutsumareta nara' and 'Sotsugyou shashin', both performed by Sakamoto Maaya with her soft voice, but both being songs of the legendary Matsutoya Yumi. Which proves her legendary-ness once again.

voice acting
Since seiyuus with soft voices will never cease to exist in Japan, there will never be a problem to find proper seiyuus for cute teenagers in Japan. However, I can probably say I am completely satisfied with the performance of the 'Tamayura' crew.

conclusion
As for me, I would never agree that living on memories is enough. Memories will not bring you a cup of hot tea when you catch a cold, will not fill your stomach when you're hungry and will not hug you when you feel blue. However, there's no argument to the fact that just being near each other is not enough. The saddest thing is that not everyone of us is blessed to live in the world similar to that of Fuu - a world full of kindness and of people who would welcome her back whenever she wants to return.

p. s.
and a tint of humour just enough for the story not to become too serious. A funny PE teacher:
 mom's old friends from a biker club:
 and his majesty the Pink Cat