IMHO. 'Samurai Flamenco' ~ samumenco

It's just that simple. If you're making fun of a certain genre, you have to make it... fun. If you're trying to introduce a dramatic element, there should be some drama in the story, in characters. If you use every possible cliche to show how lame it looks, make it really absurd. If you're showing how fanservice leads to unnatural developments, make it superfluous. 

Japanese word of the day: 中途半端

'chuutohanpa' - half-hearted.

Don't you hesitate when you make a parody.

Otherwise the result will look just like Gotou's eyes in this scene.

IMHO. 'Baccano' ~ Certainly guns, but not roses

I'm pretty sure that many people give violent shows high ratings because of a subconscious feeling that violent = mature. I'm also pretty sure that many anime producers think that the greater the contrast between different aspects of anime, the greater the effect. They create bouncy jazz soundtracks, invite famous seiyuus, and even draw the smallest details of the ceiling in the first class dining-car, and all that just for the sake of contrast between that and the heavy, unpleasant story.

I did make great efforts to at least understand those characters with their REASONS or DARK PAST, but those reasons and pasts were not reasonable and dark enough to convince me. Maybe because the characters spent much more time punching, biting, shooting and devouring each other, and when not - threatening to do so or discussing all of these, than actually thinking, reminiscing or dreaming. And while immortality certainly brings up questions of the meaning of life, physical and psychological pain, I don't think I gained any insights into these topics thanks to 'Baccano'.

People who don't know much about anime use duck typing. Yes, they are absolutely wrong in thinking anime multiplies violence or inspires suicidal thoughts. But if an anime constantly drowns the viewers in blood and has little food for thought, than what else can we think? It's a violent anime with little meaning.

The most disappointing thing is that 'Baccano' was just this close to be good. The characters could have been so likeable, the story could have been so interesting, if only there were enough time for the characters and the story. Yes, you probably need to avoid shoving such an amount of characters into a one-season anime and then spending half of that season on meticulous depicting cruel fighting and its results. Especially when clearly half of the characters were repeating each other.

 

IMHO. 'Honzuki no Gekokujou: Shisho ni Naru Tame ni wa Shudan o Erande Iraremasen' ~ The quick brown fox jumps over the lazy dog

Fantasy stories are stories that contain a fantastic assumption - some fable that has to be accepted as-is, while every other element in the story maybe far from fantasy. 'Dracula' assumes there are vampires. 'Star trek' assumes there are spaceships with warp function. What does 'Honzuki' assume? That a college graduate from Japan founds herself in another world confined in a body of a 5-year-old girl? Nope. The fantastic assumption of  'Honzuki' is that right after she gets up from bed, she begins her attempts to produce books. No acclimatization, no after-death shock, no troubles with establishing relations with people around her. The only problem of the new world is the absence of books.

'Another world', an 'isekai', should be either extremely fascinating, impressing enough to make the viewers forget all their possible questions, or stop pretending to be serious. It's all very nice that Main makes commercial deals, but while everyone around calls her a weirdo who behaves as if she's much older, in fact the problem lies not in her, but in almost all children around her, and nobody seems to notice it. I'm sure children were helping parents from a very young age in Medieval Europe, but I'm also sure they were children, and that they didn't make any philosophic conclusions like chibi characters in 'Honzuki'. At the same time, Main behaves like a real child with no trace of her former 20-something-year-old self, despite the fact she remembers how to produce things.

So I've been watching anime for something close to 20 years. And my parents have had enough chances to have a look at what I watch. And 'Honzuki', I must tell you, is one of the few anime series that my mother asked 'Is this an anime for children?' about. She also praised voice acting. And what this means is simply this: that the voice actors speak in a manner easy to comprehend, so that even my mother, a foreigner with no knowledge of Japanese, can hear where one word ends and another starts, can guess the moods of characters based on their intonation, and can understand that the speech is clear. In other words... this IS an anime for children. I mean, it's not supposed to be, but it surely looks like one.

Only after my mother said this I realised what bothers me so much in 'Honzuki'. Despite getting a rating of PG-13 for some serious topics and some violence such as killing a pig, 'Honzuki' is a children's fairy-tale-cum-textbook. It's no wonder Shou Hayami with his low voice narrates the beginning of every chapter like a local Drosselmeyer. Every character explains their actions and Main herself comments on everything she does. Older characters constantly remind her what she needs to do being a daughter / a merchant / a noble. Sit down and write down, children, this is the role model for you.

Sometimes there comes in a person into the anime studio who exclaims 'But this is a drama!'. Then the staff rush to make it dramatic. They add touching moments of Main suddenly remembering that she hails from another world... Twice in 3 years, huh?

Soon season 3 will come out and it looks like it may be far from the last. But I'm sure the ending of this story is like this: they lived happily ever after. What a pity I don't give a damn about it. I only give it the 3 out of 10 it deserves for the few funny moments there were.

Now that I think of it... I didn't even make a single screenshot of this series. I guess, this is as much as there was to capture.