03 July 2012

my humble opinion and my little thoughts about memory ~ TED.com video - Joshua Foer: Feats of memory anyone can do

oh, I would be completely wrong if I said this video has no good points in it. there is one great advantage - mr. Foer speaks in a very understandable way so that even I am able to hear every single word he utters, though I am usually bad with non-British pronunciation. yep, this is a great thing
'tis not that I was expecting this vid to open my eyes. however, there were at least vague hopes of mine that mr. Foer would pay some attention to the real problems of memorizing things... instead, he reinvented the wheel spending 20 minutes on that
oh, thank you very much. as if I did not know about how associating something with something else helps to memorize it. I have thought of dozens of 'strange and bizarre' images and association links to memorize kanji, you know. this does not help, however. I still lack the knowledge of kanji which made me so worried and frustrated the day before yesterday, when I took Nihongo Nouryoku Shiken
since December - when I attempted to 'upgrade' myself to the 2 level for the first time - I did gain much experience in translating due to both my baito and interests, and I did watch many doramas, performances and a bit of anime, so my knowledge of Japanese increased considerably, though not greatly. therefore, on July 1st, when I tried for the second time, my reading the texts was much better, though still difficult, and the grammar part was not as challenging as before, but the very first 10 questions where I should have chosen the right kanji for the spelling provided, or vice versa, was a real catastrophe. why?
I have a firm belief that everyone has his own way of memorizing things. and this is a fact that mr. Foer and many other people, who speak of memory, pay no attention to. I still remember very well the words of Gulenko 
Психология, декларируя индивидуальный подход к личности, тем не менее «выписывает» всем практически одинаковые рецепты: всех учит быть лидерами, хотя в обществе велика потребность в надежных исполнителях, улучшает память или развивает воображение всем желающим без разбору, повышает вашу общительность, к какому бы стилю коммуникабельности вы по своему типу ни принадлежали. Соционический же подход утверждает, что норма для одного типа людей часто оказывается патологией для других. Массовый охват пусть даже самыми лучшими, но не индивидуализироваными по типам методиками неэффективен. Социоанализ для каждой категории людей указывает свои природные пределы привычных, не приводящих к невротизации реакций. На этой основе разрабатывается не одна-единственная «сверхэффективная» методика, а целый их набор, учитывающий индивидуальные особенности восприятия и мышления людей разных типов.
That I could translate as:
While declaring the individual approach, psychology nevertheless prescribes the same things for everyone: it teaches everyone to be a leader, though the society lacks reliable executors greatly, indiscriminately helps everyone to improve his memory or develop his imagination, and helps you to increase your sociability irrelevantly of the communicative style you have. The socionic approach, however, states that what is normal for ones can be a pathology for others. The mass spread of techniques without dividing them according to individual types is non-effective, however great those techniques may be. Socioanalysis of each category of people determines a certain natural limit to reactions which should not lead to neuroticism. With this basis not the only 'super-effective' method is developed, but a whole complex of them, which takes into account the individual peculiarities of perception and thinking of different types of people.
this seems just a bit more realistic to me. people do think in different ways, therefore 'tis only natural that the process of memorizing and recalling is also different
the reason how I came to this conclusion, however, lies in my own weakness which is so noticeable that I am almost proud of it, though it should be otherwise. I have great problems with visual memory. I am particularly bad at memorizing faces (read - people), and this lack of visual memory of mine was once again proved by a very nice game I downloaded at Google Play - here 'tis
the rules are simple - you are given several seconds to memorize the circles with numbers in them and when they are covered with red circles - press each of them in the increasing order. you can fail for 3 times, then the app tells you the 'age of your brain' and how much of it you are using. my best result was near my real age - 20 years and 3 months. this was, however, only the 6th level of the game. in other words, I could not proceed too far. moreover, it took me really a long time to get there. instead, my mother, who was very tired and sleepy that moment, tried to play, too, and she was able to get almost the same result as me, and her first results were also much better than the first results of mine. when I asked her how she memorizes the numbers, she revealed her secret to me, which was a thing I thought of myself, too. she memorized the first several numbers (the ones in a particular place on the page you start from - like, top or left or corner) and the last ones, and between the ones that were in the middle she usually doubted, but then used her intuition and the vague image of them that she managed to capture. however, that is not the point. her memorizing was visual. the reason I could not proceed any further was that my memorizing type is not like this. as far as I understand visual perception, 'tis a process that enables the person to grasp and memorize a lot of elements together, as a whole. my memorizing is built on memorizing not all the numbers together, but each of them in an order. in this case, the order was of course determined by reading the numbers silently to myself. after the numbers were hidden, I had to recall the ORDER in which I pronounced the numbers with my inner voice, together with tracing them on the page with my eyes or with a slight help of my fingers. in other words, I memorized not the numbers themselves, but a 'phrase' consisting of them, or even more precisely - how it sounds. this is what I thought to be the proof that I am the 'audial' type, exactly what INTj is
however, thinking over kanji lead me to another conclusion. this happened first when I understood that I am not able to count the strikes in a kanji without imagining how to write them. then I thought of why I like calligraphy so much, and dislike learning kanji. so, I like the process of writing kanji with a brush, a certain characteristic of which is - a nice feeling in your hand when the brush slides down the paper with proper smooth movements, and the moderately high speed of writing. therefore, I like the ORDER of strikes and radicals in kanji. moreover, when I wanted to perfect my handwriting in Japanese, I was not successful until I was honoured to attend a lesson and explained every single letter of the Japanese hiragana, and after that - payed attention to both kanas and started writing them properly. same goes for kanji, where the order of strokes and their direction makes ALL the difference between an ugly kanji obviously written by a clumsy foreigner, and a nice cute kanji written according to the rules
therefore, I can memorize not the picture, but the ORDER. that makes me think I am not a static type, but dynamic. BTW, this is a problem, because INTj is a static, therefore I am either mistaken of my socionic type, or my views of static and dynamic

anyway, imagining a cookie monster on a horse is not a good advice for me when I need to memorize a speech. I have my imagination developed enough to create a visual image of what I speak about in my mind, and I have always, ALWAYS been doing this. I believe this is due to me being an intuitive type and a synesthete together, and my parent raising me properly and giving me proper education. reading books, watching movies and whatever, and listening to music enabled me to be that capable of imagining things. what it takes for you to have a good imagination is for you to decide, not without the help of socionics, if you wish
BTW, this is probably the reason why I cannot imagine things with my eyes closed. I am not sure, because everyone reads books, watches video and listens to music, but I have been doing this with my eyes open - since I was born. I had no need in closing my eyes, I could imagine what I wanted absolutely simultaneously with reading/watching/listening. closing my eyes makes me unable to see anything, and even if I see - unable to control my imagination. and mr. Foer, as well as all the people speaking of imagination, pays no attention to it, as well. in the very beginning he tells the audience to close their eyes, and he does the same. I have met people who literally demanded me to close my eyes in order to think of or recall something. what makes them so sure???

I am happy that many people have discovered for themselves that the techniques mr. Foer is speaking about were invented by ancient Greeks. however, mr. Foer who bestowed us with this knowledge seems to be an average poseur is not doing what I could appreciate. and I needed something usable, you know?

RomiJuri popularity ~ I am almost glad

RomiJuri is undoubtedly one of the most popular musicals in the world. Tokyo is undoubtedly one of the most densely populated cities. the first performance of the new Moon Troupe is undoubtedly a thing that every fan would want to attend. however...
everything is sold out in 2 days. yep. 2 days, because the tickets became available on July 1st, and today's morning there is almost nothing left except for the night performance on Sept 4th, S and A seats. of course, the option of standing is there, but you know... I was not expecting to see such a rush
well, this only justifies me not going there. I thought I might change my opinion and go to Japan in September when I finally have my money for the baito - which should be the end of this week, but you know, this seems pretty impossible that the tickets marked with a triangle would wait for me several days
hey, Moonies, do your best there, without me. this time your guardian angel will not come to see you with her own eyes, huh...
in the end... I do need a job. oh I do... poor me T____T

02 July 2012

KwMS fav moments ~ oh, what a trivial post title...

first I put some favourite moments of mine into the post 'my humble opinion...', but I realized I cannot make it even longer. so I decided to create a separate collection of my favourite moments in the manga and anime (where actually they are repeated with almost 100% precision)

first I wrote down funny moments like this

Seika High School Astounding Perfect Person
Usui Takumi
- smart
- handsome
- good in sports
- professional (?) cook
- pheromone emission
- immortal body
*although there are rumours circulating that he is not human, this remains unconfirmed

chapter 28.5
when Misaki approached Usui to present him as an unfaithful prince, the dialogue
- hahaha, yes, I toy and XXX and OOO with women
- don't you deliver such a delicate phrase in front of an elementary schooler!
(if you don't know, XXX and OOO are the ways how Japanese replace the offensive or improper words)

however, my main interest are the touching moments with a considerable amount of psychological insight. as I said, Fujiwara-san has a good knowledge of people's feelings and emotions, and she is really outstanding in portraying them. lines, actions and reactions of the characters are far from stereotypical and plain and show the depth of their souls. a rare thing for a shoujo, eh?

unfortunately, I don't remember the numbers of the chapters very well (perhaps I will check them later), but take a look at the scene where Suzuna comes to Seika. when she is asked why she chose the same school as her elder sister, she answers first - 'I just felt that family should stick to each other...' but then adds that this was just a proper reason that a good younger sister should say, and the real reason was the low fees. however, between these two lines of Suzuna we are able, thanks to the author's efforts, to capture Usui's face expression. the first words of Suzuna hit the nail on the head. imagine what those words sound like to Usui who had no such family to stick to. this was pretty similar to when he helped Misaki's mother and got treated at her house. in the end of the chapter he gets gloomy so that even Misaki is worried. she supposes this was due to the fact she came with Hinata. however, I doubt Hinata was the real reason. Usui was already impressed enough by the atmosphere in the house which was completely opposite to what he experienced. I cannot name Misaki's family a very strong bounded one - this is natural, as the family is not very happy. still, the atmosphere in the house was rather warm. therefore, I do appreciate moments when Fujiwara-san lets us know not only the shoujo side of the manga shown from Misaki's side, but the side of Usui, enabling us to understand his loneliness which was not a primary reason for his behaviour, but obviously catalyzed his actions

*to be continued*

01 July 2012

нореку сикэн ~ опасносте при сдаче

сразу предупреждаю - серьезно относится к нореку я не можу, равно как и ко всему остальному. так что, оставь надежду всяк сюда входящий, кто думает, что найдет в этом посте что-то полезное. хотя не, писала-то я на полном серьезе, чего есть, того не отобрать
сдача экзамена - это всегда веселое и увлекательное занятие. к тому же, как мы выяснили позавчера с подругами, я отношусь к тому типу людей, которые смогут сами себя занять, если вдруг в их дом врежется огромная ледяная глыба и подопрет дверь так, что они не смогут выйти из дома
т. о. экзамен в виде теста является одним из интереснейших приключений для моего больного мозга. но если раньше я напрягалась, желая достичь как можно более высокого результата, то в этот раз ничего с собой не могла поделать - очень хотелось спать, а мысли постоянно уезжали куда-то в сторону и собрать их в кучку представлялось немыслимой невыполнимой задачей
поэтому я готов изложить самые что ни на есть опасные опасносте, подстерегающие сдающего нореку этот гребаный сикэн

опасносте №1
причина:
я перевела дохрена описаний всяких японских препаратов для здоровья, товаров для дома и прочей чуши, а в свободное время я вообще читаю про Такаразуку, чего мне бояться на этом экзамене? тьфу!
результат:
чеее??? тексты про экономику? разговор про работу? процедуры подачи каких-то заявлений? я не знаю такой лексики!!!

опасносте №2
причина:
"...и когда я оглядываюсь назад, на свое прошлое, я понимаю, что до сих пор мог так усердно работать лишь потому, что у меня были такие прекрасные товарищи. они - это земля, а я - это дерево, которое корнями прорастает в ней и устремляется к небу..."
результат:
Т____Т какой прекрасный текст... как тонко сказано... какая глубокая мысль... ой, а вот написано, как он называется, надо запомнить, чтобы потом поискать в интернете, кто написал такое трогательное произведение... *хлюп-хлюп* ну не плачь... вот мальчик рядом сидит и не плачет... кстати, этот мальчик, похоже, уже давно ускакал на три задания вперед

опасносте №3
причина:
хаха, как хорошо, что я уже имела дело с pia-ticket! иероглифы 購入 помню!
результат:
харе радоваться, задание вообще не об этом...

опасносте №4
причина:
 " - но ведь ты говорила, что много функций у телефона - это слишком сложно? - да, но пользоваться этим телефоном очень удобно!"
результат:
ооой, вот я помню как выяснилось, что у Ячиё нет мобильника, и они с Сато поехали в магазин... господи, какая это была милая серия, одна из моих любимых... а как она держалась за его руку... а потом он говорит... ептить, варианты ответа уже сказали? 

опасносте №5
причина:
" - сколько ты еще собираешься играть в свои компьютерные игры? - лааадно, сейчас выключу..."
результат:
а что, если представить, что это диалог между... ну, например, Ватару и Рюзаки... ВАХАХАААА, ржачно получилось!!! чорт, я надеюсь, я ржала не вслух?

опасносте №6
причина:
"в университете разговаривают студент и студентка. студент - 先輩、このレポートを見てくれませんか?"
результат:
мальчик назвал ее "сэмпай"... то есть, она, наверное, старше его... надо же, в Японии и правда много нетрадиционных пар... вот что это за задание, вопрос - легкотня, а ситуация вон какая!

опасносте №7
причина:
" - сегодня на вечеринке будет какое-то зарубежное вино, говорят очень вкусное!"
результат:
вино... выпить бы щас... красненького... а вот у меня на днюхе было прекрасное сухое красное вино, так хорошо к роллам подходило... ммммм, роллы........ так, карандаш не грызем, пишем ответ...

опасносте №8
причина:
"для чего можно использовать эту карту? 1. она дает право на скидку в магазинах 2. она делает обед в ресторане дешевле на 100 йен 3. с ней проезд по всему Токио бесплатный 4. ..."
результат:
ага, проезд в Джейаре бесплатный, аж три раза! спасибо вам, составители теста, что из четырех вариантов вы делаете один взятый совсем с потолка, облегчили мне выбор! хахаха, во дают... так, а сколько у нас там времени? хмммм, полторы минуты до конца... а мне еще один вопрос делать!

опасносте №9
причина:
"в этом блоке сначала послушайте вопрос, а потом прочитайте варианты ответа. время, чтобы прочитать у вас есть. вопрос первый: *бла-бла-бла* *тишина*"
результат:
спать охота... карандашик... ой, какой у меня красивый карандашик... ну-ка, а что это тут на нем написано? надо же... и камешек тут так красиво переливается... *зевок* щщщас будем красить вариант ответа... мдя... как-то раздербанить глаза надо, а то конец экзамена еще только через 20 минут

опасносте №10
причина:
- так, дети, сдаем сначала бланки... теперь эти тетрадочки с заданиями... ну, давайте проверим некоторые задания... так, вот тут *бла-бла-бла* какой тут ответ? - третий! - да не, четвертый - да я те грю третий, там больше ниче не получается! он там сказал чета типа ну вот как-то так, остается тока третий! - верно, третий. а вот в этом *бла-бла-бла* какой ответ? - там последний самый вариант, про *бла-бла-бла*. правильно? правильно, да?
результат:
я спокоен... я не чувствую себя в младшей школе... я вовсе не считаю, что эти товарищи, которые только что сдали экзамен по японскому языку на высокий уровень, ведут себя как выпрыгивающие из штанов всезнайки... все нормаааально, я спокоен...

опасносте №11
причина:
"в этом задании нужно расставить слова или словосочетания в правильном порядке и выбрать вариант, поставленный на позицию, помеченную звездочкой.
今日はようこそ...
1.お越しくださいました。2...."
результат:
...本日はようこそお越しくださいました。月組の... аааааа, хочу в Такарадзуку... Т___Т

опасносте №12 
причина:
"для тв-передачи известный скульптор дает интервью. почему этот человек начал интересоваться скульптурой? *бла-бла-бла*"
результат:
вот, этот товарищ увидел что-то красивое и решил тоже стать скульптором, и сказал, что делать что-то своими руками для других - это здорово. нет, это, конечно, замечательно, но по мне - лучше б взяли интервью у студии, которая делает хентай. или у Оно с Фукуямой. было бы гораздо познавательнее. "простите, но вы сегодня в роли камбалы!"

опасносте №13
причина:
так, вариант третий, закрашиваем... *следующий вопрос* так, первый и второй сразу не подходят, значит третий или четвертый... нет, в четвертом не то слово написано, значит третий... *следующий вопрос* угу, в первом варианте написано обратное тому, что в тексте, отметаем. второй... вот, второй, может быть... третий тоже может быть... четвертый - нет, в четвертом неполные сведения... а во втором наоборот, лишнее написано, значит, третий. *следующий вопрос* о, этот вопрос легкий, тут я знаю, какой ответ. под каким он тут номером?
результат:
ЧЕТЫРЕ ТРЕТИХ ВАРИАНТА ПОДРЯД??? что-то это подозрительно.... о____О ну... наверное, совпадение...

опасносте №14
причина:
в этом блоке тоже третьих вариантов много. уже два подряд... *следующий вопрос* блин, уже три подряд!
результат:
блииин, ну ведь наверняка где-то у меня ошибка, ведь не может такого быть... где ошибка, ну где ж ошибка... аааа, времени искать нету... паника! паника! руки, не тряситесь!

опасносте №15
причина:
значит правильный - третий вариант... *следующий вопрос* третий вариант... *следующий вопрос* третий вариант...
результат:
в первом блоке четыре подряд третьих, во втором три, и в этом тоже три. отлично. я понял. над нами решили постебаться... У ЯПОНЦЕВ ЧЕРНЫЙ ЮМОР >_____<

з. ы. - в общем, огонь, вода и медные трубы ждут вас! жаль только, что экзамен потихоньку дорожает...

30 June 2012

I just felt like writing this in Japanese

それは、私が二十歳になった日でした。
あの日こそ、あることに気付いたのです。 先生と練習する途中、気付いたのです。
この世界は、黒くもない、白くもない。私が思ったほど汚くもない、私が希望したほど素敵でもない。周りの人は私の悔しいほど悪くもない、うれしいほど親切でもない。こういうことに気付いてしまったのです。
私も思ったほど半人前でもない。偉くもない。私も間違ってなんかいない。正しいかどうか、誰かに言われたくない。気を悪くしたことがよくある。ほかの人も、自分も責めたりしたことがよくある。でも、誰のせいでもない。こういうことに気付いたのです。
誰も私が期待するとおりに動いてはしない。でも、突然に力を与えてくださったものがあります。近くにいる人は私をそんなに大切にしていない。でも、私の存在を知らない人は、何度も救ってくださったことがあります。こういうことに気付いたのです。
禁止する人もいる。応援してくれる人もいる。 それはもう、かまわないのです。同意の人もいる。反対の人もいる。それはなぜか、どうでもよくなったのです。
生まれたときから探していたのです。この世界の中の、たったひとつでもいいから、確かなものを。完璧な人を。
いないかもね、そんなのは。でも、強くて優しい人がいる。離れていても、時空を渡って、私を支えてくれるものがある。大切なもの、信じられることがある。そばにいるわけじゃない、自分の頭の中だけ。それでも、私は生きてる。自分を失わないように。こういうことに気付いたのです。
だって、私の中。

my humble opinion on 'kaichou wa maid-sama' ~ I never read or watch ongoings!

can this count as criteria to decide what are you favourite works - the fact that you make an exception to your rules and start watching/reading an ongoing, despite that you were previously against this?


plot and characters
I cannot deny the obvious. KwMS is shoujo. shoujo has its own characteristics. shoujo may seem a bit far from reality. in the end, I started watching the anime because of the very fact that I wanted a romance, I wanted a shoujo. however, this is more than a simple shoujo for me. I have watched and read dozens of shoujo works, but this one is special
why?
'cause this shoujo is not entirely shoujo. at least, not the ordinary one
why?
as many have noticed (therefore, this is not purely my subjective opinion), Misaki is not the typical  shoujo character, fragile and wanting to be constantly protected and taken care of in a huge war between human and monsters that involves the whole universe... nor she is an all-forgiving 'maiden in love' who is unable to oppose others, including the 'male protagonist'. this fact was perhaps the main reason why I like KwMS so much
another reason came to me after I spent quite a time with this work. both anime and manga have one very important characteristic. they apply to my condition of verisimilitude - there is only one 'imagine that...', only one assumption, and the rest of the story never crosses the borders of realism. moreover, this assumption is not expressed in '...that such a person exists' speaking of any character in the story, including Usui. everybody in KwMs looks like a normal person - yes, there are such people, there must be such people, even if they are rare species. unlike ordinary shoujo stories where characters are absolutely ideal, or at least ideal for a certain part of the audience, characters in KwMs are not assumed to exist, they do. instead, the assumption we face is - 'imagine that all these guys have been able to meet due to...' - attending the same school, working together, living in the neighbourhood, etc. this coincidence is far more acceptable. they were able to meet, however strange or miraculous it might seem, but why not? the probability theory is inexorable. the chance of their meeting was small - but we cannot say there was no. the only fact we have to assume is that this chance out of many others came to reality
speaking of romance, sometimes rough statistics can help to understand the contents better. how many kisses there were in the anime? only 2. how many hugs? I remember only 1. how many other touching moments that made my heart beat fast? uncountable. this romance is about true feelings, not about watching a crowd of bishies fighting for one useless main heroine
speaking of other characters than Misaki and Usui, they could be really poorly done, taking into account the genre. an average shoujo work makes only those characters important who relate to the main heroine in a way of either being her own rival, or being a rival of her beloved. a more serious shoujo may have a group of characters supporting the heroine and a group of her 'enemies' in some way. this is what we have in KwMs, and those characters are beautifully portrayed. also, note the number of the 'third line' - not only the closest surroundings of Misaki is done in detail, but even Satsuki's sister, the beach house owner, or the guys who were involved in incident with Miyabigaoka, etc. unexpected depth for a shoujo

humour
I rarely create an additional paragraph in my reviews, but KwMs has a special aspect I must describe. the greatest contributor to this side of KwMs is, of course, Sakurai Hiroaki-sama. this person should be carved in stone so that other anime directors know whom to follow up. I adore his DGC, and while watching KwMS I recognized so many elements that he cherished and kept alive through these years - the overall feeling of light humour in every episode and things like
SD
the inscriptions inside the frame of the video
 funny faces and sound effects
 different (ir)relevant objects
KwMs is able to make fun of everything including irrelevant characters which are usually created in all seriousness
including also proper names - instead of thinking up of some name, they emphasise the level of ridiculousness of the situation
and including Usui himself. while bishies in other shoujo works prove to be cool with how they are wielding ancient swords or modern bats, riding horses or bikes, Usui proves his coolness with... breaking an egg
this is what I call self-critical attitude and appreciate greatly

graphics
I have never been a fan of JCStaff, however this studio is responsible for many good animes I watched. and they were good in terms of graphics no less than anything else. pleasant to watch and bright enough to cheer you up
the characteristic feature is that the moving objects are done in a usual manner but the backgrounds are all pencil and watercolour
and some of the frames are so obviously special

music
Mizuno Saaya-san is not an outstanding singer, so I cannot say I am particularly happy with the opening theme, but 'tis not too bad, either
the REAL balm for my soul was the using of heidi.'s two songs. visual-key-rock is not a usual accompaniment for a shoujo, huh? since then, I am their fan!
another delighting thing is the background music. pretty, suitable, absolutely 'hitting the bull's eye' of every moment in the anime. though most of the OSTs are not really suitable for separate listening, the more I watch some scenes from the anime, the more I understand that the background music is absolutely perfect accompaniment for all the scenes
what I liked a lot is the album with YumeMishi songs - the singer is a seiyuu, again, but he DOES sound like a professional singer and his voice was ぴったり - absolutely fitting - for his character, a rock band leader and vocalist. 'yume no hana' is one of my favourite songs
are there any shortcomings at all in KwMs? oh yes, they are character image singles. really boring, I could not even listen to any of them from the beginning to the end. not bad, but not good. just... mediocre. especially comparing them with the 'virtual live' album. well, at least all the seiyuus are good at singing unlike many other popular seiyuus who only scream or squeak or pronounce their lines instead of singing them (I particularly dislike Working!! OPEDs. all of them)

seiyuus
I almost forgot to write this paragraph because there is nothing to say actually. they are all absolutely gorgeous and realistic. everybody was 'at the right place'. especially exciting 'tis to hear Fujimura after I heard her as Niche in 'Tegamibachi', or Asumi after I heard her as Popura in 'Working'. if you want to enjoy the seiyuu's work even more, you absolutely MUST listen to the audio dramas. while anime was thrilling enough, dramas are even more embarrassing. several times I paused the track because I was either laughing from the funny situation and perfect implementation of it by seiyuus, or I was especially impressed by some particular intonation, or I wanted to listen to a phrase which was hard to understand because a lot of difficult words were pronounced with high speed or I was nose-bleeding because of Okamoto. audio dramas are rarely THAT good for me
 
conclusion
I can open whatever episode and start watching without exhaustion and boredom. both the romance and the funny elements belong to the kind you can reread and rewatch many times and enjoy them more and more. I love this work more than anything, and there are only a few others that can stand on the same position

29 June 2012

a sudden discovery in my drawer

I was tidying up in my drawer when I found a box. well, 'twas a box that I clearly remembered so I was not surprised. 'twas a box containing materials and drafts for a table game that I was going to create together with my friend. those times games like 'monopoly' and 'my family' were highly popular and we decided to make something similar ourselves, combining elements of both and adding our own. however, I was really surprised to see that the most part of necessary cards and elements was ready. moreover, the game was going to be an elaborate one
just look
 
 
 
 
 
 
there were small pics of people to choose as your player. there were different kinds of money, and different kinds of goods to buy, there were houses to live in, pets to care for, and there were prizes for pets who win in competitions which were supposed to exist in the game, there were 'telegraph messages' which required you either to step back or to proceed faster, there were both 'troubles' and 'love' cards, 'hunger' cards and 'delight' cards that made you either a success or losing
'tis not that I am proud of myself because of this, but at least I am happy for the me from the past - a wonderful child who was so serious about everything she did, persisting and creative. she was an interesting person, eh? 'tis a pity she is not here any longer

27 June 2012

my humble opinion on 'Dance in the Vampire Bund' ~ warning! a loooong post

only 6 minutes of the first episode have passed, but I am already writing this post. you know why?
masterpiece

plot and characters
I have watched only 1 work directed by Shimbo Akiyuki-san so far, 'bakemonogatari', but 'twas enough for me to understand that 'Dance' would probably be an interesting anime, too
it proved to be so. 6 minutes have passed - and I am already laughing so that I cannot even eat my salad. this is simply gorgeous. the parody on the modern world, modern Japan, modern show business - a young handsome celebrity, an elder comedy actress, a girl who loves manga about vampires and a mangaka who creates it with a thorough understanding of what vampires are thought to be, and what he can use in his manga to make it popular, a professor who knows much - and knows well that he knows much, the TV news rogram which, on the first sight, tells about the strange incidents, but mostly - arouses the spectators and boost the story, and in the end - TV show where the guests and the audience decide whether a statement brought to discussion is true or false with the help of huge weigher - oh no, I am not a specialist in Japanese entertainment industry, but even I am able to say - this is just so completely true...
the preview of the next episode done in a chibi manner with characters as if drawn on paper with pencil. the mocking 'this programme is brought to you by...' where, instead of the real sponsors, the anime studios and fictional dorama (which was just mentioned in the anime) are used (BTW, reminds me of 'Tamayura') - 'tis not that I am against big companies 'contributing' to anime or doramas so that their logos are shown in the 'sponsors 20 seconds', but whenever a director of anime is brave enough to make such parodies - I feel this world is not dying yet
on the other hand, beware of fanservice. why am I still watching it? ohh, this is completely different case from works like 'Ikkitousen'. the level of nudity may seem much higher, and big boobs of Vera delight us with their full view in the very first episode, to say nothing of the fact that the main heroine is an absolute loli, on the other hand - while there is a harem of different types of girls around Akira, there is also a harem of boys, which is harder to notice, but which still exists... still - this case is completely different. this is the fanservice done with a full understanding that 'tis fanservice
the plot itself is rather slow. this is the style of Shimbo-san, I guess. more attention is paid not to what happens, but to the reasons behind the events, to the feelings of every person involved and thoughts and motives that everyone has. after watching 'bakemonogatari' I already knew how good Shimbo-san is in penetrating every corner of human psyche, but he exceeded my expectations. I thought only the sassy character of Mina would be exposed - as a capricious child, but I was wrong - the creators showed a lot of other people with their own way of life, their own ways of viewing the world and their own reasoning
on the other hand, there is one point I cannot skip - there has never been a character in 'bakemonogatari' whom I could feel close to. I might like them, or respect them, or admire them, or even feel a bit of sympathy towards them, but there was not a single person who was 'like me', 'soulmate' or how should I put it? a person I could feel at ease with. they were all strange to me. unlike 'bakemonogatari' where everyone seemed too far from me, 'Dance' presents people who are more understandable, and maybe even too close to usual anime characters. still, this very fact let me pick up if not characters - then at least feelings I could go through myself, not see as something external. while I did not accept them completely - in the end, this is quite a cruel plot we have here, and 'tis not full of kind persons, you know, dozens of people eaten by vampires, a crown turning into a bloody mess and a head torn apart from the body are not a pleasant things to see... still, there were times I could empathize with some of the characters
Mina was a perfect illustration of a person who wants someone who would be by her side no matter what, someone who would support her anytime and whatever she does. 'a friend is a person who helps you to carry and hide the corpse without asking questions' - I read this phrase in my friend's status in m-agent. I am not in favour of people who hide corpses, and I am not in favour of those who help to hide them, but if we don't take this feeling literally - there are moments when we want someone who would accept us as we are. if not approve completely - then at least accept, even when we are wrong. no, especially when we are wrong
another character who captured my attention was Vera. and this has nothing to do with her name! though I was a bit confused - I am not used to someone beside me called this way ^.^ so, she was simply the type I like most - devoted to something/someone and selfless. I always tend to wish such characters to obtain at least some personal happiness. especially when they are not 13 years old children (like Hikaru Shidou, who is one of my favourite characters of the same type, but whom I consider to be 'slightly too' young.....)
also, though I did not like her much, Saegusa was also a memorable character. look at  the episode where Mina and Yuki made up and laughed together - both of them gorgeously portrayed - Mina able to admit her mistakes, Yuki able to come to peace, funny discussion of her BL novels and their laughing at Akira - a short moment of bliss, a proof that the creators are not trying to make a completely black picture of their characters presenting them as either weak and unworthy, or cruel and full of pride
well, to say nothing of school council president who kissed her 13 years old neighbour twice - and twice 'twas shown fullscreen........
the only bad point there is - the usual poor treatment of foreigners. but 仕方ないわ~ - should we have three foreign representatives, than we are for sure to see a Chinese, an American or European and a Russian. I only wonder if their names were made so simple on purpose or not. of course, there is a chance that the creators intended to make a mock of the fact that they used the most popular surnames. however, I also would easily believe that they simply used what was at hand
don't you think this post is getting too long? well, I cannot help it. this work is just as wonderful as I expected, and it made me think a lot

music
while 'bakemonogatari' (sorry for constantly comparing them, but I have to) had a very strange music which was almost completely psychedelic, 'Dance' has an OST which may seem usual, but together with the visual part which is also less psychedelic they made a perfect duo. there were also pieces one may enjoy very much, slow ones, nice ones, calm ones
as for the OPEDs, perhaps I am already prepared to face the fact that the time when OPEDs were masterpieces has already passed. the ED theme was quite an imaginable thing when we have a vampire-themed anime, and the OP was simply great! - I would say, if not for the fact that 'tis a cover of Rebecca's song created in 1985. this is a fact I learned thanks to the kind person who uploaded the full version of 'Friends' on YT, and I appreciate that very much, because though I already listened to some of Rebecca's songs, I did not recognize 'Friends'. instead, what I thought when first watching the OP was - what a usual arrangement... another song that fails to surprise me... what was really good is Nakano Aiko's vocal. unlike Nokko-chan's sweet and cute high pitched voice, Nakano-san has a nice strength in her singing, which made me want to download her discography, unfortunately there are only 2 singles in it. however, the very fact that the song is a cover, and also the original arrangement frustrated me greatly. really... theme songs are no longer a thing to bother a serious composer, or invite a good singer

seiyuus
this is one more weak part of the anime. they were pretty good, and there were several seiyuus I know, like Watanabe-san, but you know - nothing memorable. well, Mina's seiyuu did a good job in speaking with 'ja' etc., but this is nothing special, any seiyuu should be able to do this. otherwise he/she is not seiyuu at all
on the other hand, the seiyuus were pretty veritable and realistic. actually, some animes do give me a feeling like 'this voice cannot belong to this person', and vice versa 'this appearance should not be decorated with such a voice'. this time there was no such mistake. at least

conclusion
a strange thing, partially ugly, partially attracting. it did not capture my heart, and it actually tired me a lot being a hard thing to watch. however, this is a masterpiece of realism. and an anime for adults - not because of blood or nudity, but because of the very fact of HOW realistic 'tis
in the very end... after watching such a thing, I have to go and heal my soul with something light and pleasant... there are animes which you watch to soothe your heart, but this one is more of those you watch to tease your brains. it does not let you to relax
so, my recommendations - watch Shimbo's works rarely and in small portions

26 June 2012

Happy Birthday Mirio

I want to congratulate Mirio. The Mirio whom I love, Mirio who was so cute and tender. please be gentle Mirio everyone knows and loves. please be Moon child. I pray

25 June 2012

My humble opinion on 'Kaze no Stigma' - both anime and manga

Plot and characters
Let me make one thing clear. 'Kaze no Stigma' is shoujo. Even though the manga is sometimes labeled as shounen or seinen, 'tis still shoujo. There is some fanservice for the male audience, of course, but not without shoujo fanservice also
There are different kinds of shoujo in terms of characters and plot developments. If we cast aside those with fragile heroines who spend the greater part of the anime of manga crying and worrying for other characters who do all the serious work (like Miaka), among those who are left most main heroines belong to the type of Ayano. They possess an explosive character and tend to be easily provoked by caustic remarks uttered by other characters. Moreover, those remarks, reprimands and scolding are for a reason unknown supposed to be the best romance that can bloom in a shoujo. Apparently the directors and screenplay/manga writers honestly believe that the only way to make their works popular among the female audience is to create a bit brutal but sexy - no, brutal in a sexy way - guy who is never at a loss with words, who would leave the heroine on her own every time she faces an obstacle offering her to overcome it herself, or even oppose her and drive her almost to death, so that she would grow as a warrior/priestess/game player/personality/whatever. Moreover, the heroine who gets to know eventually that she was either left alone, or tricked and used on purpose, and thus endangered, only punches her beloved and shouts 'bakaaaaa!' - this is the limit of her annoyance and revenge. Of course, she has no chance to stand against him, to say nothing of winning - she is inferior, and will always be. This kind of 'sassy teacher - eager pupil' relationship is thought to be the essence of shoujo, the real advantage that would capture the hearts of young spectators or readers. Sorry for not being not one of them
On the other hand, I cannot deny there are a lot of other elements necessary for popularity. The dream of the female audience is granted in the fourth episode out of 24 - 'tis not a real kiss, but who cares? The lips joined are enough for young girls to scream with joy - and forget that the characters are supposed to be cousins. After the main event has already happened, what's left is only to increase the level of ero - so we have licking the cheek, kissing the neck and the edges of hair.
Don't forget about guys! Pantsu shots in abundance, low angles and windy weather, big breasts in the middle of the screen that are sure to jump noticeably in spite of the fact that we are in the middle of a very important battle. I could close my eyes to such things if only they were done with an understanding of how funny they look. Unfortunately, they are for real...
Dark past of the main character, casualties during the 'war', revenge, mysterious enemy, everything is on its place. Did I really watch this anime never ever before?
Even watching 'Rurouni Kenshin' where every character who was about to attack never failed to name his technique, and scenes of daily life were filled with SD and 'oro?' did not make me feel THAT awkward.
The manga 'kaze no stigma - kannou no miko' tries to be closer to the original ranobe, obviously. Kazuma is in a constant frenzy, blood is taking more space on the page, the plot and the relationships which existed in the anime are absent. Well, not absolutely absent - some phrases and scenes are completely alike but in the end manga scenes fail to create the same impression. Some events are simply 'omitted' - no one wants to have an absolute copy of the animated version, eh? It would not sell.

Graphics
Is it 2007, really? I would not give it more than 2004...
Manga is much better. Obviously the mangaka knows his trade. Cute expressions, scary expressions, girls figures exposed for admiring, and lots of lines on the page which make it almost impossible to understand what is going on... Congrats.

Seiyuus
Good staff. Most of seiyyus I am familiar with, but both them and those whom I did not know were pretty good. However, there was not much of an opportunity for them to show everything they can. This is not their fault, eh? Oohara Sayaka-san, Makino Yui-san, Watanabe Akeno-san, Itou Shizuka-san, Inokuchi Yuka-san, Takahashi Chiaki-san did a great job.

Music
The traditions of anime soundtracking were preserved. The background reminded me of good OSTs of 90s, and the OPEDs were on a high level. Lyrics by Ishikawa-sama, music by Arai-sama and nice vocal - there are all the elements for a good theme song. This applies to 'hitorikiri no sora', but the OP 'blast of wind' was good, too. The second ED was not a very impressive song, but at least the three seiyuus are good at singing - not shouting something with kawaii voice which is a frequent thing in the latest animes.

Conclusion
What date is it today? Oh! I better hurry to check whether the next chapter of 'kaichou wa maid-sama' is translated! Why? Though these two have a bit in common, 'kaichou' is thousand times better than 'kaze no stigma' because the stupid setting is not used there. Ayano and Misaki are really alike - active, extroverted girls, protective when it comes to their friends and simply those who are weaker, both are unwilling to admit their feelings. They even share the same seiyuu. However Misaki is stronger. And Usui is stronger, too, in comparison with Kazuma. Much stronger - he is able to support Misaki despite her misunderstanding - support really, directly, and be together with her no matter what, but he is able to admit his weaknesses as well, and yield to her, and is ready to trust her, and count on Misaki, while Kazuma only seem to cherish Ayano as his 'possession'. Dear shoujo makers - look carefully at Usui, THIS is the guy that girls want. Am I wrong? Well, at least I want to see characters like Usui more.
In the last episode Ayano says - 'What am I to you? A burden? I don't want to be the princess who waits until the battle ends and kisses her hero, I want you to rely on me, too!' - however she ended up being exactly what she described, forever chasing and unable to reach Kazuma, despite how much she helped in the last strike to erase the mighty enemy. Quite opposite, Misaki did not look much of a help to Usui, and the sole reason of his love to her is 'you would not smile so easily, and that cute face expression of yours' - but then why, I ask you, why do they seem to be much more equal partners who DO share the same feeling?